SOMETIMES IT TAKES A BAD MAN TO DO THE RIGHT THING-DERRICK FERGUSON’S ‘DIAMONDBACK: IT SEEMED LIKE A GOOD IDEA AT THE TIME’ NOW AVAILABLE! Click Below To Get Your Copy Today! Remember, Kindle Unlimited Members Read for Free!
From the imagination of Derrick Ferguson, the creator of DILLON, comes a very bad man with one hell of a plan…A gunman walks into a war….“New Pulp fans know Derrick Ferguson,” says Tommy Hancock, Editor in Chief of Pro Se Productions, “for the exciting characters he creates and the fantastic stories he writes about them. It is a great honor for Pro Se to be a part of bringing one of those characters to readers old and new once again. Diamondback in many ways is about as far from Dillon and Fortune McCall, two of Derrick’s other creations, as one could get, yet there’s still something this mysterious man walking on his own side of the law that makes him clearly a Ferguson character. Derrick imbues his work with a very unique voice and that, along with all the juicy crime action is what makes IT SEEMED LIKE A GOOD IDEA AT THE TIME worth picking up.”
To call Denbrook a ‘den of thieves’ is the kindest thing you could say about the city and an insult to both dens and thieves. As one of the city’s biggest crime lords prepares to bring in a shipment of hi-tech weapons that will change the balance of power, an unexpected element comes into the game that might change everything. The arrival of a man claiming to be the enigmatic but deadly gun-for-hire Diamondback Vogel has all the wrong people asking all the right questions. Believed to have been killed in the bloody Foreman City Shootout, the man calling himself Diamondback rapidly lives up to the legend and offers his services to the highest bidder. As he cuts a path of death and destruction through the city, his true agenda known to him alone – crime lords, crooked cops, and the odd secret society begin to take notice and ask themselves: “Who is this guy and what does he really want?” From Pro Se Productions and Derrick Ferguson’s POWER PLAY author imprint comes DIAMONDBACK: IT SEEMED LIKE A GOOD IDEA AT THE TIME! Featuring an absolutely stunning cover from Jason Wren and cover design and print formatting by Sean Ali, DIAMONDBACK: IT SEEMED LIKEA GOOD IDEA AT THE TIME is available in print at https://tinyurl.com/yxrzvovy for $9.99.This latest volume from Ferguson’s POWER PLAY imprint is also available on Kindle formatted by Antonino lo Iacono and Marzia Marina for $2.99 at https://tinyurl.com/y3464zfz. Also, Kindle Unlimited members can read for free! For more information on this title, interviews with the author, or digital copies for review, email firstname.lastname@example.org.To learn more about Pro Se Productions, go to www.prose-press.com. Like Pro Se on Facebook at www.facebook.com/ProSeProductions.
Now that I’ve got the first season of Shadows Over Cymande done with, I suppose it’s as good as time as any for me to try and explain what I’m doing with this series, where it’s going and how it came to be in the first place.
Why did it start? Well, if you’ve been a Patron of mine for a while and before that you know my work from my Frontier period then you know how dedicated I am to presenting online serialized fiction. I don’t know why that is and someday I’m going to have to sit down and try to figure it out for myself but I’ve been committed to telling serialized stories ever since I first discovered The Internet. I spent a lot of years in DC/Marvel fan fiction writing serialized stories about my favorite superheroes and I enjoyed it immensely. Fan fiction was a good way for me to keep the creative juices flowing when I got stuck on a piece of original fiction. And since I considered it highly unlikely that either DC or Marvel was going to come knocking on my door and offer me a job, it was a fun way to tell the superhero stories I always wanted to read. I also made a lot of good friends. Many of whom I still work with and socialize with to this day.
So, when I started up this Patreon thing, I naturally intended to use it as a way to tell serialized stories that in some ways would be me experimenting with storytelling in a way I thought would be more entertaining that just presenting it as a novel.
Of course, there’s the whole ethical angle of me experimenting on your dime when I’m supposed to be entertaining you but we’ll put that to the side for awhile.
Shadows Over Cymande was born out of my love of Soap Operas, believe it or not. I grew up during the 1970s and 1980s when Soap Operas were the primary daytime television entertainment. And for a time there, we even had nighttime Soap Operas such as “Dallas” “Falcon Crest” and the wildly successful “Dynasty”. The daytime Soap Operas are almost all gone, now. I think only two or three are still hanging in there, including “General Hospital” which was one of the daytime Soap Operas that is a huge influence on Shadows Over Cymande
There was a period during the 1980s where “General Hospital” was the craziest, most batshit insane pulp action adventure cliffhanger serial you ever saw. Luke and Laura Charles (played by Anthony Geary and Genie Francis) along with superspy Robert Scorpio (Tristan Rogers) and ace reporter Jackie Templeton (played with a ruthless kind of feistiness by Demi Moore. Yes, that Demi Moore) ran around the city of Port Charles getting embroiled in wild adventures that came straight out of comic books and 1940s Saturday cliffhangers, culminating into the classic “Ice Princess” storyline which saw our heroes battling the wealthy yet insane Cassidine family bent on world domination who had at their disposal a weather machine they intended to use to freeze the Earth if they didn’t get their way. Believe me when I say that for a few years there, “General Hospital” was unlike any other Soap Opera on daytime TV what with its mad scientists, secret societies, hidden cities within cities, ruthless crime bosses, fights, captures, chases, explosions and fates worse than death. And mind you, this was every day.
In fact, the show was so popular it attracted a whole lot of really world renowned actors and actress who showed up either in cameos or small supporting roles. Culminating in a genuine Film Icon, Elizabeth Taylor herself appearing as Helena Cassidine, matriarch of The Cassidine Clan looking for revenge against Luke and Laura for foiling her husband’s plans to freeze the world.
And then there’s “Dark Shadows” It started out as a Gothic melodrama and didn’t really take off until a year after it’s debut when Jonathan Frid took center stage as the vampire Barnabas Collins. It didn’t take long after that until we also had werewolves, witches, warlocks, zombies and all sorts of monsters running around Collinsport. And if that wasn’t enough, the writers threw in concepts such as parallel universes and time travel. “Dark Shadows” even flirted with Lovecraftian themes with the “Leviathans” storyline, heavily influenced and inspired by Lovecraft’s “Cthulhu Mythos.” And just like “General Hospital” this batshit insanity was on the tube five days a week.
In fact, the first scene of Episode One of Shadows Over Cymande is intended as a homage to the first scene of the first episode of “Dark Shadows” which has the heroine Victoria Winters (Alexandra Moltke) arriving by train to the mysterious town of Collinsport, located in Maine. My heroine Alexandrea Ainsley similarly arrives by train to the mysterious city of Cymande in South Carolina.
And on top of that, for years I’ve been taking notes about ideas for a series of novels involving two African-American families of great wealth, power and influence with lineage going back to the Civil War and their rivalry from the days of slavery to the 21st Century. I envisioned it as a John Jakes type of multi-generational epic series of novels. But after a few years I realized that this was a genre I simply wasn’t hardwired to write. For one thing, it would take tons of research and quite frankly, I’d rather be writing than doing research. I have a tremendous amount of respect and admiration for writers who can spend years doing pure research before writing Word One but I’m not that breed of writer.
But somewhere along the line I got the bright idea that maybe I could smoosh all of these ideas/concepts together and come up with something halfway readable. Judging by the fact I have not as yet gotten an email from my patrons demanding to know What Is This Shit? and Can I Have My Money Back? I guess I’m safe for the time being.
So why not call the first twelve episodes Book One instead of Season One? Mainly because unlike the other serials that are running here, I currently have no plans as yet to publish Shadows Over Cymande as a novel. It’s going to be running here exclusively on my Patreon for a good long while. And if I think of each twelve-episode arc as a Season that will enable me to build certain storylines organically and manage the huge cast of characters much better. So far, I’ve got five Seasons planned. But that could change and it could go longer. Or something else could happen and I end it sooner. These days I like to be extremely loose with my writing plans. Makes me feel less constrained.
So, we’ve met most of our main and supporting characters in Season One and been introduced to the Redfern and Jalmari families. The Redferns are deep into highly advanced technology that almost seems…well, alien or magical in nature while the Jalmaris have connection to…Something Else.
(Cue ominous music)
Even though we now know who killed Carol Baylor and Walter Pinckney, there’s still a lot about the why they were killed that still has to be uncovered. As well as the words the unconscious Carole said to Isaiah Jalmari. And what happened to Sheriff Mark Francis? Why did David Redfern just suddenly disappear? Why was he spying on his family? Why does Cab Westminster have a retro secret office straight out the 1950’s in his basement and why is he typing up reports on everything that happens in Cymande?
I promise I won’t be stringing out these mysteries for long. But the thing about writing something like this is that for every mystery that’s solved, it seems to give birth to two more that need to be solved.
If you’re at all curious as to what this is all about then just bounce on over to my Patreon site. Shadows Over Cymande: The Complete Season 1 is available in both Epub and Mobi formats I hope this has enhanced your understanding and hopefully enjoyment of Shadows Over Cymande. And if not, let me know and I’ll take another whack at it and we’ll see where we’re at.
You can find my Patreon site HERE and besides Shadows Over Cymande there’s plenty of other goodness such as Dillon and The Island of Dr. Mamuwalde and One Night In Denbrook to enjoy if you’re so inclined to part with a couple bucks a month to check it out.
My Thanks to Perry Constantine for his technical assistance in preparing the ebook version and his most excellent cover design.
And as always, Thank You for your time, your patronage, your interest and support in my work and may God continue to bless you and yours. Stay safe and be good to yourself and others.
I finally got around to reading JONATHAN FOX IN “THE MONSTER OF EGYPT” and the first thing that immediately comes to mind is that I wish I hadn’t waited so long to do so. Don’t you make the same mistake I did. Pick this one up at your earliest opportunity. I got the digital version because…well, to be honest, I didn’t know what I was getting and if it turned out I didn’t like it I didn’t want to be stuck with the paperback. I know, I know…that sounds kinda cold. But there have been far too many times I’ve sprung for full price for a product and gotten burned. I’m delighted to be able to say that didn’t happen this time around. The day after finishing the digital version, I ordered the paperback. Because John McClellan is an artist/writer of undeniable talent with a great character who I’d like to see more of.
Jonathan Fox is a master thief who works for your typical shadow intelligence agency that doesn’t exist. He’s extraordinarily capable, resourceful and highly dangerous. He gets involved trying to prevent a devastating terrorist attack on America in a plot that for me was highly reminiscent of 1980s Action Movie and the Timothy Dalton James Bond movies. And I do mean that as a compliment as those who know me know that 1980s Action Movies are a big influence on my own work and that Timothy Dalton is my second favorite James Bond.
The story moves along a rapid pace like a man who is late picking up his paycheck. And the artwork is simply fun to look at. I myself tend to see a Steranko influence in the way the panels are laid out and in the slam-bang action action scenes which are cinematic, to say the least. This whole book might as well be the storyboard for a movie.
And it may seem like a small thing, I know…but it’s those small things that tend to make me smile while I’m reading a graphic novel and I appreciate an artist who can not only draw engaging and exciting fight scenes but also party scenes where people wear clothes that have wrinkles and hang on their bodies like clothes are supposed to hang. There’s a panel where Jonathan Fox is just standing there, wearing a white suit but dang if John McClellan doesn’t draw that suit as if it had some weight to it. Mr. McClellan also remembers that clothes flap about, tear and retain bloodstains during and after a fight.
And Mr. McClellan also remembers that he’s supposed to be telling a story. There are way too many artists out there now that are more interested in how elaborate or intricate they can get with their storytelling but John McClellan understands that sometimes less is more. He’s out to put down an Action Movie on paper and for me, he did just that. if it sometimes seems as if he’s falling back on the tropes we’ve seen in other spy/adventure thrillers of this type that’s only because in this kind of stories there’s certain tropes you expect to see. You read a Western you expect there to be six shooters and horses, right? You read a romance and sooner or later somebody gonna kiss, correct? So I see no reason to fault any other genre for exploiting the elements we read that particular genre for.
If there is any complaint I have is that while Jonathan Fox continually maintains that he’s just a thief, they guy has a set of combat/tactical/strategic skills that would make Navy Seals envious. But I’m confident that in future adventures, John McClellan will reveal Fox’s full story. But in the meantime, if you’re down for some full tilt boogie Old School spy stuff, do yourself a favor and check this one out.
You can get yourself a copy of JONATHAN FOX IN “THE MONSTER OF EGYPT” at:
Here’s the thing; I love The Internet. I truly do. Yes, there’s a lot crap out there that gets in the way of the good stuff but the good stuff is there. It just sometimes takes me a while to get around it. Take for instance the webcomic WARBIRDS OF MARS that has been around for a goodish amount of time now. I, however have been woefully ignorant of it until I was made aware of the anthology WARBIRDS OF MARS: STORIES OF THE FIGHT and while it’s a hefty introduction to the situation and principal characters at the heart of the series it is one well worth reading due to the interesting mix of talent involved.
The set-up is fairly easy to get hold of: Invaders from outer space attack The Earth while it’s engaged in World War II. The alien invaders actually aren’t Martians but what the hey, WARBIRDS OF MARS is a great title so let’s not spoil it with minor details. The Martians have chosen this time to invade as for years they’ve had agents on Earth, half-alien/half-human fifth columnists working behind the scenes to make the invasion easier. And with the world powers fragmented and not able to work together it’s not long before many major cities and nations are conquered and under control of the invaders. But there’s still hope: human resistance forces are fighting back with every weapon and resource at their command to take back the planet.
The core characters of WARBIRDS OF MARS: STORIES OF THE FIGHT! are an elite cadre of resistance fighters known as The Martian Killers. The leader is Hunter Noir, a fedora wearing, trenchcoated man of mystery who keeps his face bandaged. Jack Paris is your typical wisecracking, two-fisted pilot/adventurer. Josie Taylor is the team’s femme fatale and Mr. Mask is a human/alien hybrid who has joined the resistance, proving to be a valuable asset to the the team due to his having been trained by a samurai master.
These characters all get plenty of time to strut their stuff both in solo stories and in stories where they work together but WARBIRDS OF MARS: STORIES OF THE FIGHT! also takes the opportunity to show what is going on with other people trying to survive in this hellish brave new world in various locations around the globe and through the eyes of characters both human and alien.
“Hunter Noir” by Scott P. Vaughn leads off the anthology with the origin of the leader of The Martin Killers and how the invasion began. It’s a good origin story with the only bump in it for me is the sudden decision by the protagonist to become a masked man of mystery while being hunted by the enemy and whipping up a costume and new name for himself in no time flat but y’know what? That’s just me. It’s that kind of story and you either go along with it or not. It wasn’t enough to make me stop reading the story and that’s the main thing.
“In The World Today” by Megan E. Vaughn is one of my favorite stories in the anthology as it concerns a small-town movie date and the effects the Martian Invasion has on it. It’s a short slice of small town American life kind of story but it doesn’t skimp on the characterization.
I love the weird western comic book “Desperadoes” written by Jeff Mariotte so it’s no surprise that I loved “Southern Cross” even though it wasn’t set in the Southwestern United States as I might have expected. (Ron Fortier takes care of that part of the country…we’ll get to it soon…be patient) No, Jeff takes us out to the South China Sea for this one as Jack Paris gets involved in Oriental skullduggery.
“The Deadly Triad” by Alex Ness is a nifty little look into what’s going on with the Chinese and Japanese and I greatly appreciated the break from the slam bang adventure of the previous story to take time out to see what was going on elsewhere in the beleaguered world.
Sean Ellis has long been one of my favorite writers who never fails to disappoint and he doesn’t do so with “The Farmboy’s Adventure” which has an ending that I truly did not see coming and when it did I immediately went back to the beginning of the story to see if there were any clues that I had missed. I’m betting you’ll do the same.
“The Bitter Edge” is by Kane Gilmore and is another origin story. This one concerning Mr. Mask, so called because he wears a German gas mask constantly. He’s a lot of fun to read about as I kinda get the idea that Kane’s inspiration for the character was G.I. Joe’s Snake Eyes. But with Mr. Mask being a Martian/Human hybrid training how to be a samurai warrior brings an added dimension to the character that moves the story into an exploration of identity and self-respect that lifts it a notch above just another action/adventure entry.
As promised, Ron Fortier serves up a wild west romp with “The Monsters of Adobe Wells” which takes The Monster Killers way out west to team up with Sioux warrior Charlie Three-Feathers, a character I wouldn’t mind seeing more of if there are future WARBIRDS OF MARS anthology. And again, the changeup in setting provides readers with another aspect of the war against the invaders. The international aspect of this anthology is one of the best things about it and a western story fits in here just fine.
Megan E. Vaughn returns for “The Skull of Lazarus” which is a story that makes me wonder if Megan is a “Thunderbirds” fan as her Lady Doyle and Jerry reminded me strongly of Lady Penelope Creighton and her bodyguard/chauffeur Parker. This is an adventure built for nothing but sheer thrills and like Ron’s Charlie Three-Feathers, I hope to see more of Lady Doyle.
“Red Sky Phoenix: The Rise of Free Russia” is another snapshot from Alex Ness as to what’s going on in yet another part of the world. It wouldn’t be a bad idea to have even more of these prose postcards in future anthologies.
“Human Guile” by Chris Samson is where I finally hit a major bump. I’ve read this story twice and still can’t quite wrap my head around what the story is about. It just seemed to me like there was way too much plot and way too many characters doing things I just didn’t understand why they were doing them. For me, motivation is a Big Deal in my fiction. It’s not necessary for me to like or dislike the characters but I do demand that the writer establish why they’re doing what they’re doing and I simply didn’t get that here.
“Surprise” by Stephen M. Irvin is indeed that as I didn’t expect to find a hard-boiled noir story in here but I as I continued reading more and more into this anthology it soon became apparent to me that this concept could and did support a variety of genre stories very well indeed such as J.H. Ivanov’s “The Road Out of Antioch” and “Shipwrecked” by David Lindblad, both of which are out-and-out horror stories with “The Road Out of Antioch” approaching Lovecraftian proportions of cosmic dread. It’s that good, trust me.
“Refined Elegance” by Scott P. Vaughn takes us home and if I had to make a choice between this one and “Hunter Noir” I’d have to go with this one, much as I liked “Hunter Noir.” It’s told from the point of view of Josie Taylor. The Martian Killers have been doing that for quite a while now, the war appears to have no end in sight and Josie is starting to ask herself and her teammates some hard questions the dangerous missions they routinely go on.
The stories are complimented by strong, solid artwork from Jean Arrow, Adriano Carreon, Mike DeBalfo, Bill Farmer, Matt Goodall, Christian Guldager, Robert Hack, Rob Hicks, John Lucas, Paul Roman Martinez, Nathan Morris, Dan Parsons, Nik Poliwko, Richard Serrao and Jason Worthington that serve the needs of the stories they were drawn for, successfully evoking the mood and tone of the prose.
So should you read WARBIRDS OF MARS: STORIES OF THE FIGHT? I certainly think so. One of my concerns about New Pulp is that it not fall into a rut. Masked avengers of the night and scientific adventurers are cool as hell, no doubt about it. But New Pulp can’t survive on a steady diet of those. Stories such as the ones in WARBIRDS OF MARS: STORIES OF THE FIGHT! that gives us mashups of war stories mixed with science fiction, horror, day in the life, hard-boiled noir and other genres provide a refreshing new dish for the palate of our imagination to taste and savor. It’s a solid package as you get a lot of story and art for your money and time. Enjoy.
Atlanta, GA—In the wake of Georgia’s shelter in place order, many folks find themselves at home looking for ways to occupy their time without spending a lot (or even any) money. For readers and fans of sci-fi and fantasy conventions who normally get their fix of meeting their favorite authors and listening to them do readings during the con, that stay at home can be doubly difficult during what is normally a strong and busy convention season.
That’s why Lawrenceville-based writer Sean Taylor created Indie Authors Read, a website devoted to providing video “convention reading” for those stuck at home. “Panel readings are one of my favorites things to take part in at conventions, both as a writer and as a fan. Knowing I’m not alone in that, I asked several fellow writers from my ‘convention family’ if they’d be interested in helping out with a project where we could just sit at home and read our stories as if we’d been at the big shows at the local convention center. The response has been humbling, and many have joined the group,” said Taylor.
Although the project has its creation in the closure of sci-fi and fantasy conventions, the stories included on the site will include various genres beyond just those two. Fans can expect action stories, thrillers, drama, horror, romance, and everything in between.
“I love this idea and am honored to be part of it. Especially now, when the arts are more essential than ever,” said Bobby Nash, whose story “Beyond the Horizon” actually does fall into the fantasy category.
The website launches April 6, and fresh readings will be added weekly.
“All that oohing and aahing, that cringing and crying, that laughing and wowing you’re expected at the con is missing from your life. This is a taste of it,” said Robert J. Krog, who contributes a Cthulhu-themed tale to the site’s launch.
Sean Taylor is an award-winning writer of stories. He grew up telling lies, and he got pretty good at it, so now he writes them into full-blown adventures for comic books, graphic novels, magazines, book anthologies and novels. He makes stuff up for money, and he writes it down for fun. He’s a lucky fellow that way. For more information visit his website at http://www.thetaylorverse.com.
Since his arrival on the fantasy adventure scene back in the 70s, Charles Saunders has been recognized as one of the most successful African American writers in the field today. His action/adventure hero Imaro has been featured in a half dozen novels all of which went on to inspire generations of young black authors.
In 2011 Saunders wrote “Damballa” the first ever black pulp hero for Airship 27 Productions. Operating out of Harlem in the 1930s, Damballa employs unique African magic to battle gangsters and crooked politicians. Two years later Saunders introduced the Jungle Witch Luluma in his short story “Mtimu” which appeared in the Pro Se Production’s bestselling anthology, “Black Pulp.” At the start of the tale, the beautiful Luluma is a servant of a villainous hunter but by the story’s end she realizes his true nature and regains her independence thanks to the hero, Mtimu. Atypical of Saunders talent, she is a powerful character worthy of her own series.
Now Airship 27 Productions is proud to announce their creation of two new on-going book series, “Charles Saunders presents Damballa” and “Charles Saunders presents Luluma.” Managing Editor Ron Fortier elaborates. “In recent years, Charles Saunders has been extremely busy working on a truly unique black fantasy saga. So much so that it became impossible for him to devote any time to his other creations. When we suggested the possibilities of continuing both Damballa and Luluma with other writers, he was very excited about the concept and gave us his approval. Have no fear, he will be overseeing each series as they progress.”
Writing the first ever Lulama novel will be writer/publisher Milton Davis of MVmedia LLC. “I’ve known Charles Saunders for eleven years and had the privilege to work with him on a number of projects. I’m excited to have the opportunity to develop a novel based on one of his characters. It’s a dream come true.”
While Pulp Factory Award winning writer Derrick Ferguson will write the all new Damaballa adventure. “One the things that has always overwhelmed me in my New Pulp career is that I have gotten to meet with so many professionals whose work I have enjoyed and to my utter astonishment and joy I have found myself embraced and welcomed as a fellow professional.
“To say that I am honored to be given the opportunity to write a character created by Charles Saunders with his blessing is truly an understatement. Charles Saunders is one of the reasons I am writing today and to be working with him is an opportunity I never would have dreamed could have taken place. I pray that I do justice to the magnificent character of Damballa.”
At present there is no specific time set for the release of these new books. “Our plan is to move forward with full length novels first,” Fortier continues. “Later, if there is an interest, we may also produce anthologies featuring both Damballa and Lulama. We’ll leave that up to our network of pulp writers and the response of our readers. We see some truly amazing possibilities in the future for both characters and are greatly indebted to Charles’s faith in us.”
AIRSHIP 27 PRODUCTIONS – PULP FICTION FOR A NEW GENERATION!
Derrick Ferguson: We haven’t done one of these in years so we have to get the obligatory introductory stuff outta the way: Who is Mark Bousquet and why are you being interviewed here?
Mark Bousquet: I was tempted to go back and grab whatever I wrote for an introduction to the last time we did that and just paste it here, but I suppose that would be cheating, eh? Who I am is a writer. Why I’m being interviewed here is because I’m a published writer.
As we do this interview in mid-2019, I’ve recently relaunched my Gunfighter Gothic series in six new shiny editions, and just released THE MASKS OF SATURDAY MORNING, which is the first Spooky Lemon Mystery.
DF: Where do you live and what do you do to keep yourself in cheese and crackers?
MB: I’m as Assistant Teaching Professor at Syracuse University, teaching writing. Not the fun writing that we’re gonna talk about in this interview, but the obligatory writing classes that students are forced to take. I try to make it fun and try to open up the student’s eyes as to what “writing” is: it’s not just the 5-paragraph research or opinion essays they likely got burned out on in high school. I try to give them assignments that have them create visual projects like comic books or infographics and “beyond writing” projects like podcasts and documentaries, where writing is a tool to get you to the end product.
I’ve recently moved to Scranton, Pennsylvania, so I’ll be looking at a 2-hour commute to and from work this fall. That sounds rough, but the nice thing about teaching college is that I’ll be able to work from home 2 or 3 days each week.
DF: How’s Darwin doing these days? What is he up to?
MB: Darwin is still going strong. He’s 12 and a half years old now, and while he can be an old man inside, he’s still his old energetic puppy dog self when we’re outside. Moving to a new city means everything is new to him and he loves little more than going someplace new. We’ve got a nice public park that we walk in most mornings that always gets his day started right.
DF: You’re still writing but it seems as if your output has decreased. Why is that?
MB: A combination of factors. My current job is way more intensive than my previous jobs, so there’s less time to write, and I found that when I made time to sit down, the stories just weren’t flowing like they used to. Some of that was because the job was leaving my brain extra tired, but it was also because I didn’t know who I was as a writer, anymore. I got myself into trouble by creating series instead of stand-alone stories and so even in creating something new, I was adding another brick onto my back, committing me to writing some future project. I needed to take some time to clear the decks and while that’s an ongoing process, I feel good about putting an editing shine to the Gunfighter Gothic books.
I’ll write more Gunfighter Gothic stories but it’s also good, as is. I haven’t left anyone hanging. I need to do the same for ADVENTURES OF THE FIVE and STUFFED ANIMALS FORHIRE, two kids’ series that each have 2 books published but need to have a third to close those stories off.
DF: In what direction do you see your writing career going?
MB: A greater balance between writing things that I’ll publish through Space Buggy Press and submissions to outside presses. I like having the control over a project that Space Buggy affords me, but I also like to be challenged by trying to write for different editors and publications.
DF: You wrote some of the best movie reviews I’ve ever read. Why did you stop? And are you ever going to start writing them again?
MB: Thank you, that’s very kind of you to say! I stopped because it was taking up too much of my writing time. When I was really cranking out the reviews, I was living in a new city, with only a few friends, no social life to speak of, and no car. I spent most of my time between walking Darwin and working. I didn’t have cable. I was doing Netflix by mail. So I had enough time to write creatively and write reviews and do some travel writing, but as the workload increased, as I bought a car, and entered into a fantastic relationship, there just wasn’t the time to produce the same amount of words. Something had to give and it was writing reviews. I don’t think I’ll ever go back to writing them full-time, but I still love talking about movies and TV shows.
DF: Speaking of movies, what are some of your favorite movies you’ve seen in 2019 so far?
MB: With the move, I haven’t watched as many movies this year as I normally do and I don’t have any lesser-known gems to herald. In fact, looking at the Top 50 films of 2019 through mid-July, I’ve only seen seven of them: “Avengers: Endgame” (loved it), “Captain Marvel” (liked it), “John Wick 3” (liked it), “Shazam” (blah), “Godzilla: King of Monsters” (loved it), “Alita: Battle Angel” (awful), and “Fighting with My Family” (pleasant enough).
I have spent more time reading for fun this year than I have in recent years. I’ve just worked through a run of Robert Parker (Pale Kings and Princes), Ace Atkins (The Redeemers), Clive Cussler (The Chase), Ace Atkins writing as Robert Parker (Lullaby), and I’m currently reading Jo Nesbo’s The Devil’s Star.
These were not random choices. Between February and a week or so ago, I binged all 20 seasons of “Midsomer Murders”, which is the kind of detective show that’s cozy instead of hard-boiled. I got the idea that I wanted to write a cozy mystery set in Middle Earth but as I started to develop that idea, I realized that I already had a main cozy character in Spooky Lemon. I also had a novel finished that had been sitting on my computer for years. When I started self-publishing, I let too many books out too quickly but in recent years, I’ve held on to them too long, tinkering endlessly with them.
I decided to get Spooky out and work on that as my cozy and then take that other character and keep it in a fantasy setting, but write it more like a crime novel than a cozy mystery. I devoured the Robert Parker Spenser books as a teenager, so I started there and reread Pale Kings and Princes (I chose it for the simple fact that it was the oldest Spenser book my local library had on the shelves). Then I read Ace Atkins’ The Redeemers because I knew he’d written a bunch of Spenser novels. Then I took The Chase off of my shelf to read Clive Cussler’s historical pulp before coming to Lullaby, to see how Atkins adapted his style to Parker’s Spenser universe. And now I’m reading Nesbo, for a touch of non-American crime.
I noticed several things that have helped inform me about my current WIP. For instance, in the Spenser novels, the focus is always on Spenser. Atkins doesn’t put that weight on Quinn Colson, and in Redeemers, he spends nearly as much time with the bad guys as he does his main character. Cussler spends the bulk of his time with Isaac Bell, but isn’t afraid to leave him out of chapters and spend time with the bad guys and (to a lesser extent) secondary characters. Atkins’ Spenser book is written in the Parker mold — in other words, it’s not Ace Atkins’ take on Spenser, it’s Atkins channeling Parker’s take.
Who to spend time with is a critical decision because it will inform what kind of crime book you’re writing. In the Colson and Bell stories, there is no mystery, at all. We know who the bad guys are. And the main characters quickly figure out who the bad guys are, too. They might not have all the pieces to the puzzle, but they can see what the puzzle is gonna look like when it’s finished. They aren’t mysteries, at all. They’re pursuits. (With a healthy dash of subplots about the protagonists’ personal lives thrown in, too.) With the Spenser stories, there is a mystery to solve, but the emphasis isn’t on solving the crime nearly as much as it is simply hanging out with Spenser and Hawk and Susan. There’s a case to solve, but I’m always amazed how much time is devoted to following Spenser doing ordinary things: making dinner, sitting in his car on a stakeout, talking with Susan, driving around Boston.
The treatment of the protagonists’ masculinity was also telling. Spenser is completely comfortable with who he is. Colson knows who he is, but isn’t entirely comfortable with it. Isaac Bell is almost comically old school masculine. Nesbo’s Harry Hole is an emotional and physical wreck.
The same goes for the style of prose: Parker is quick and light. Cussler drowns in historical detail. Nesbo is as much literary as he is case-focused. Atkins sits somewhere in the middle, writing a contemporary western inside William Faulkner’s South.
With all this swirling in my head, I sat down to bring my character to life. All I really had was an idea for an opening scene. I knew how the scene would start (“A number of years ago, a green-skinned man walked out of the Wilds to stand before the King.”) and I knew how it would end (“The green man said, ‘I want to be a cop.'”). But that was it. I didn’t know what else would happen and I didn’t know what kind of story he would be in, but I kinda thought I wanted to do a “fantasy western.” But I wasn’t sure.
So I sat down and churned out 2,500 words to find out. I lost the character’s cozy first name (Aldous) and gained a more western name (Bridger). I came up with a basic plot. I gave him deputies and a witch for a pathologist. I built him a world to work in that’s more Scandinavian than Deadwood. I think I know that I want to write a crime story that’s more mystery than pursuit, but I also want to spend time away from the main character.
But that’s what the first draft is for, ain’t it?
DF: What are you working on now?
MB: The Sheriff Bridger Skunk fantasy crime book is where I’m living at the laptop most, but I’m also plotting out the second Spooky Lemon mystery in journals and working through the details of the long-promised World War II book, BLACK RHINOS.
DF: Can we expect to see more of AMERICAN HERCULES?
MB: Yes, but not as the stand-alone episodes that I published last time. I’ll finish off the modern spin on Hercules’ labors as individual episodes, but I’ll just release them all in one collection instead of dropping them one at a time.
DF: Do you have any more children’s books planned?
MB: I’ve been trying to write the follow-up to THE BEAR AT THE TOP OF THE STAIRS for a good two years and can’t seem to settle on a story that I like, so that’s back-burnered at the moment. I would like to get one kids book out in time for Christmas, but whether it will be the sequel to BEAR or an ADVENTURES OF THE FIVE book or STUFFED ANIMALS FORHIRE book, I can’t say. I’m hoping one of those stories grabs me and demands to be written.
DF: What can we expect to see from Mark Bousquet in 2019?
MB: I don’t know if I’ll have another novel published this year, but I’ll be writing like mad behind the scenes.
I’d like to do more travel writing, too, but even working on 4 – 6 hours of sleep a night, there’s only so much time in the day.
DF: What’s a typical Day In The Life of Mark Bousquet like?
MB: I used to be the kind of writer who did his best work between midnight and 4 AM, but now my best work seems to come in the 6 AM to Whenever I Take Darwin For a Walk AM or late afternoon. So, it’s usually get up around 6, write, go for a hike with Darwin, breakfast, work stuff, lunch work stuff, errands, reading or writing, dinner, reading or writing, and spend as much time with the partner as possible.
That’ll change once the fall semester starts up again, but for now, I’ve got time to write and I’m taking advantage of it.
Derrick Ferguson: Anything else we need to know?
Mark Bousquet: ‘ve got a website at themarkbousquet.com where people can sign up for my free newsletters: one for my kids work and another for my genre work. Signing up for each of them gets people a free digital novel as thanks.