The Sword and Soul Must Read List Courtesy of Milton Davis, The Godson of Sword and Soul

Kind of a grandiose title, right? And Milton would probably be the first one to knock me upside my head for bestowing that title upon him but I can’t help it. Whenever I think of Sword and Soul I first think of Charles Saunders, that remarkably talented founder of the genre and the man who I consider to be The Godfather of Sword and Soul. At its simplest Sword and Soul is African inspired Heroic Fantasy/Sword & Sorcery . That’s the thumbnail version. For a more in depth and comprehensive overview of the genre I point you in the direction of an article written by Balogun Ojetade who is himself no stranger to the genre:

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Sword and Soul: Much needed new genre? Or Simply something old with a new coat of paint? By Balogun Ojetade

And Milton Davis is the second name I think of when it comes to Sword and Sword because he’s had  considerable influence in revitalizing and reinvigorating the genre, spreading knowledge of it and inspiring a whole generation of brand new writers who have embraced Sword and Soul with a burning passion, elevating and evolving it in exciting and fascinating new directions. That’s why I call him The Godson of Sword and Soul.

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“Okay, Derrick,” you say. “I’m sufficiently intrigued to want to know more. But where do I begin? Who should I be reading? What books and writers do I start with?”

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I’m glad you asked because Milton Davis has been good enough to compile a list of Sword and Soul books that you can start with. And here it is:

  1. IMARO by Charles Saunders
  2. DOSSOUYE by Charles Saunders
  3. MEJI by Milton Davis
  4. GRIOTS Edited by Milton Davis and Charles Saunders
  5. GRIOTS: SISTERS OF THE SPEAR Edited by Charles Saunders and Milton Davis
  6. ONCE UPON A TIME IN AFRICA by Balogun Ojetade
  7. THE CONSTANT TOWER by Carole McDonnell
  8. ABENGONI: FIRST CALLING by Charles Saunders
  9. SONGS OF THE SUNYA: TALES FROM THE SANDS OF TIME by Mansa Myrie
  10. CHANGA’S SAFARI by Milton Davis
  11. WHEN NIGHT FALLS by Gerald L. Coleman

Many of these I have read myself and heartily recommend and as for those I haven’t read, I trust Milton’s recommendation as to their quality and entertainment value so don’t be wary of diving in and discovering the magic and majesty of Sword and Soul for yourself. Enjoy!

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Kickin’ The Willy Bobo With…Valjeanne Jeffers

Derrick Ferguson: It’s been quite a while since we’ve done this so for the benefit of those who don’t know you (and shame on them!) who is Valjeanne Jeffers?

Valjeanne Jeffers: Greetings sweet readers and authors. I’m the author of nine books, including my most popular Immortal series and Mona Livelong: Paranormal Detective series, as well as one nonfiction book, The Story of Eve, which has only been published as articles. I also co-edited, with Quinton Veal, Scierogenous: An Anthology of Erotic Science Fiction and Fantasy (Volumes I and II). I’ve been published in a number of anthologies, including: The Bright Empire, Fitting In, Black Magic Women, Luminescent Threads, Sycorax’s Daughters and Blerdrotica (in press).

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DF: Where do you live and what do you tell the IRS you do?

VJ: I live in Alabama and I work as a teacher and literary editor. I love editing because I get to read wonderful books, mostly speculative fiction, for free.

DF: So how has the writing thing been going for you since we last talked? You’ve been a busy young lady.

VJ: I wish everything went as smoothly as my writing. There are always marketing headaches when you’re an Indie author. Right now, I’m working on getting all of my books on Barnes & Nobel’s site, and ultimately into their physical stores. I’m hoping that this will be a game changer for my book sales.

DF: Is writing getting easier or harder? Have you made any major changes or adjustments in how you work, where your work or the hours that you work?

VJ: I have to balance my writing with my work schedule, and that part is easier since I now set my own hours. I’ve also found my voice and a ton of support from my writing circle, so I don’t doubt myself as much as I used to. We writers are quirky folks, and it has been so beautiful to find my niche among them.

Yet, writing a book, for me, is like starting journey where you have a general idea of your destination, and no idea how you’re going to get there. It’s like that for me every time. That’s the difficult part. In my latest novel, Mona Livelong: Paranormal Detective III, I tackled some issues that were very close to home, and this too made it harder. But I can see my way to the conclusion of my latest journey.

DF: You’ve been doing this for a goodly amount of time now. Have you found your audience? Or have they found you?

VJ: I believe that I have found my audience. Yet a writer’s work is never done when it comes to discovering new readers. I’m working really hard on getting my books into brick and mortar stores and attending events where I can meet and greet folks. Also, cons and author signings are a lot of fun.

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DF: What are your thoughts on the role and direction of African-American Speculative Fiction written by Women of Color in the past five years?

VJ: I started this journey back in 2007. When I first began writing and reading the only black female authors I knew were: Octavia Butler, Tananarive Due and Nalo Hopkinson. Since then, black women have made tremendous strides as authors, directors and filmmakers. I’m one of the contributing screenwriters for the “7Magpies” horror anthology film, spearheaded by producer and creator, Lucy Cruell. Lucy decided to bring together me, Tananarive Due, Sumiko Saulson, Eden Royce, Crystal Connor, Linda D Addison, and Paula Ashe together as screenwriters to make this project happen, as well as several female directors, including Rae Dawn Chong. This film project has been in the works for a while, but hopefully we’ll see the finished product soon.

DF: I’ve noticed in the past few years you’ve been writing in the genre of Erotic Science Fiction which I didn’t know was a genre until I read some of your stories. Is this a genre we should all be reading?

VJ: I’ve co-edited Scierogenous I and II, and some of the writers in my circle write erotic science fiction, most notably Sumiko Saulson, Quinton Veal and Penelope Flynn. So, I believe that erotic science fiction may be ascending from sub-genre to full-fledged genre status. It ain’t for the faint of heart, but a lot of folks dig it.

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I have a mix-media approach to writing: I write horror, science fiction and fantasy and I adore them all. Derrick, you once referred to my writing style as imaginatively experimental and I love this description. Yet, I don’t consider myself to be an erotic writer. I think of myself as someone who writes stories and novels with erotic elements. Author Milton Davis, when I posed this question to him, told me that if I removed all of the erotic elements from my stories, they would still be solid stories. But, if folks describe me as a writer of erotica, that’s cool. Often, it’s your readers who define your work according to how it moves them. As a case in point, I didn’t consider myself to be a horror writer, until Sumiko Saulson included my Immortal series in “60 Black Women in Horror Fiction” (she has since updated this volume to include 100 writers). I was blown away! And so, I took on the cap of “horror writer” and ran with it. Now, my most popular series is Mona Livelong: Paranormal Detective, a horror/steamfunk series.

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DF: You are a highly prominent and respected female African-American Speculative Fiction writer. At least I think so. But where do you see your place on the field? What position do you hold?

VJ: I graciously accept both titles. I believe that I have reached the point in my writing career where I am both a well-known and respected author. But there are shoulders that I’ve stood on to reach this point in my writing journey, most notably Octavia Butler. Octavia has always been my writing mentor, although I wasn’t fortunate enough to meet her while she was alive. And she continues to inspire me.

Last summer at Blacktasticon 2018, I sat on a panel with some of the heaviest hitters in the black SF community, to discuss Octavia’s writing and the impact that she continues to have on speculative fiction. I was honored to sit beside them. So, as I writer I have arrived, but there’s still room for growth.

DF: What keeps you motivated during creative slumps?

VJ: Octavia Butler has the best recipe for overcoming writers block: “First forget inspiration. Habit is more dependable. Habit will sustain you whether you’re inspired or not. Habit will help you finish and polish your stories. Inspiration won’t. Habit is persistence in practice.” As writers, we have to keep it moving, even through creative slumps. It’s okay to take some time off, to step back and let things simmer for a while. But when I leave my characters for too long, they become strangers, and then I have to go through the process of reacquainting myself with them.

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Also, outlines work best for me, when I find myself writing in circles. Music too, is one of the greatest sources of inspiration for me. I’ve actually created scenes inspired by music. I once wrote a concluding action scene listening to “Rollin Crumblin” and another one listening to “Magic Carpet Ride.” And I listen to all genres of music depending on what mood I’m in: Jazz, Hip Hop, R&B, Blues and Rock.

Lately I’ve been listening to one of my favorite bands (just their music from the ‘70s) WAR

DF: What do you do with your free time when you’re not writing?

VJ: If I’m not writing I’m usually working or reading. I have three books on my kindle that I’m reading (Gerald Coleman’s “Plague of Shadows”, Joe Bonadonna’s “Mad Shadows II”, and Alan D. Jones’ “Blerd Tales”). I’m still working on reading stories from the anthologies I’ve been published in. I recently got my copy of The Bright Empire (edited by Milton Davis and Gene Peterson) and the first story I read was Balogun Ojetade’s “The Transmission of Aragomago;” it’s outstanding. I also just finished reading Nicole Kurtz’s story “Belly Talker” (from the Blacktasticon Anthology edited by Milton Davis) which is also off the chain. And I have a few favorite TV programs that I watch, or I try to catch a decent SF/fantasy movie.

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DF: Tell us about your upcoming projects. What can we look forward to from Valjeanne Jeffers in 2019?

VJ: I’m currently writing Mona Livelong: Paranormal Detective III: The Case of the Vanishing Child. I should be finished by late Spring or early summer. And I’ve been toying with the idea of writing a children’s novel based on my short story, “The Visitor” (which was very well received). But I won’t tackle this until I finish Mona Livelong III. Author and artist Penelope Flynn is releasing an anthology of erotic science science, Blerdrotica, and my story “Aura’s Awakening” will be included, and I am very excited about it.

DF: Drop some Words of Wisdom on all the aspiring young writers out there reading this and thirsting for your knowledge.

VJ: My advice to all new authors is read books in your genre, or just read. Read the authors you admire and don’t worry if your words don’t sound like theirs. Variety is the sugar and spice of life, so find your own voice and write! Once you put pen to paper, you are a writer, no matter what anyone says.

DF: What is the one story or novel of yours that you would recommend that we should start with?

VJ: If your taste is Fantasy/Afrofuturism with a dash of Horror start with Immortal. If you prefer your Horror/Steamfunk straight with no chaser, start with Mona Livelong: Paranormal Detective: The Case of the Angry Ghost.

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DF: What’s a Typical Day In The Life of Valjeanne Jeffers like?

VJ: Normally my days consist of writing, reading and playing with my grand babies – who are playing with my dog Caesar and my cat Cleo. I usually teach in the evenings, unless I’m editing a novel.

Derrick Ferguson: Anything else we should know?

Valjeanne Jeffers: I’d like to thank you Derrick, pulp writer extraordinaire, for interviewing me! And I wish everyone love, peace and creativity.

You’re one click away from Valjeanne’s Amazon Page. Be sure to go check it out, y’hear?
Valjeanne is active on Facebook and Twitter so if you’d like to talk to her directly, start there.

 

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Will Write For Food: The Freelance Stories of Derrick Ferguson

From the mean streets and crime-ridden boroughs of the modern metropolis to the dusty western wastelands where the only thing more precious than a bullet is a drop of water to soothe a parched throat, Derrick Ferguson takes the reader on journeys as visceral and vivid as a waking dream. Herein find eight stories, written for cash on the barrel to put food on the table. Sail the Seven Seas with Sinbad the Sailor, run headlong into gunfights against overwhelming odds with lawman Bass Reeves, battle against super-villains, and get hard-boiled with two-fisted detective action. Pick your poison. And make it a double.

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“The Undercover Puzzle”
“The Knobloch Collection Assignment”
“Sinbad and The Voyage to The Land of The Frozen Sun”
“Baby Daddy”
“The Ruckerville Arraignment”
“Unto You Is Born…Rayge!”
“A Town Named Affliction”
“The Bixbee Breakout”

Kickin’ The Willy Bobo With…RAYMOND EMBRACK

Derrick Ferguson: Since it’s been three years and eight months since I last interviewed you we have to refresh people’s memories. Who is Raymond Embrack? Where do you live and what do you do to keep the bill collectors away?

Raymond Embrack: A member of Usimi Dero. Los Angeles. Haven’t kept them away yet. Have taken up day trading as my new art form.

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DF: Any major changes in your life since we last talked?

RE: Retired from close to doing 20 in L.A. County. Soon to move back to Washington DC.

DF: Last time I interviewed you I asked you if there was an audience for Raymond Embrack. Have they found you or have you found them?

RE: The weirdness has been out there long enough an audience is actually finding me, almost a following today. Mostly younger, a mix of exiles and hipsters. Who thought I would wind up the Jeff Goldblum of nobodies?

DF: How do you feel you’ve grown and developed as a writer in the past three years?

RE: Since Kindle Create I do all parts of production, plus design my covers.

DF: How has your attitude about your work in particular and writing in general changed or modified?

RE: I ended the intent to make book sales. I cut half my book catalog, now only write my desert island catalog of only Surf product. Turns out I only like writing Surf.

DF: Update us on Peter Surf. First off, for the folks who don’t know who Peter Surf is, tell us about him.

RE: Peter Surf is my private eye series private eye since 1996. His name comes from the music in Pulp Fiction. First published 2000. Operates in west coast Blonde City, the city Trump would build with Madonna. Surf is in part composed of Derek Flint, Hunter S. Thompson, John Shaft, Chris Rock. He runs a dojo to meet women, invents martial arts like Aztec Karate. He specializes in unusual dangerous and difficult cases, never does missing persons cases because most PI novels are missing persons cases.

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DF: Where is Peter Surf going as a character and what are your future plans for him?

RE: Perfecting the swagger this began with.

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DF: What else are you working on now?

RE: Nothing. For now less writing, more reality.

DF: What is the one book of yours you would recommend to someone to start with? And why that book?

RE: Pick the description you find hottest, work your way to the coolest. Or vice versa.

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DF: What keeps you motivated to continue to write?

RE: My aspiration to build a series of at least 20 dope Peter Surf units, a collection of WTF? to one day gaze upon with chill self-gratification.

DF: Drop some much needed Words of Wisdom on all the young aspiring writers reading this that are thirsting for knowledge.

RE: Only write what you love most. Be your own favorite writer.

DF: What’s a typical Day In The Life of Raymond Embrack like?

RE: Day trading from a desktop, earning more, losing less, learning by doing, writing my own textbook as I go. Each person has to write their own textbook. Night, that’s another question….

Derrick Ferguson: Anything else we need to know?

Raymond Embrack: No

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Raymond Embrack’s Amazon Page

Kickin’ The Willy Bobo With…NICOLE GIVENS KURTZ

Derrick Ferguson: We’ve been through this before but no doubt there’s a lot of people who will be reading this who don’t know a thing about you so: Who Is Nicole Givens Kurtz? Where do you live and what do you do to keep the bill collectors away?

Nicole Givens Kurtz: I am originally from Knoxville, Tennessee (Go Big ORANGE!), but I currently reside just outside of Winston-Salem, North Carolina. I’m a public-school teacher by day, a writer at night and a mother 24/7.

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DF: It’s been a year and four months since I last interviewed you. What have you been doing since then?

NGK: So much has happened in the last year! An anthology I submitted a story to, was named as a Bram® Stoker Finalist in Horror Anthology (Sycorax’s Daughters), I’ve sold a few short stories, and finished a new urban fantasy series that I’m currently shopping around. I’ve also had the pleasure of attending BlackTasticon in June and some other pretty amazing events this year.

DF: I asked you in our last interview if there was an audience for Nicole Kurtz. Have you found your audience yet? Or have they found you?

NGK: Alas, my audience remains a bit elusive. I’m still working on refining my author brand, and also increasing my in-person presence. I write a lot of different types of stories, and for that reason, it may be difficult for me to find an audience that are “Nicole Givens Kurtz” fans, but rather they like specific things I write. For example, I do have “Cybil Lewis” readers, and “Minister Knight” readers, etc.

DF: How is Mocha Memoirs Press doing?

NGK: Mocha Memoirs is going through an overhaul in terms of direction. It’s not entirely new, but we are refining our model. Publishing is always changings and we’re shifting with the sands, too.

Our tagline is Bold. Fearless. Fiction. We want to continue to amplify marginalized voices in speculative fiction. We opened our submissions doors two months ago and are actively seeking novellas and novel-length submissions.

DF: What are you working on now?

NGK: Currently, I’m revising a romance novella for Falstaff Crush, the romance line of Falstaff books.  After that, I plan to finish revisions on my second urban fantasy series.  There are short stories and short story collections I’m also putting together, including on for Cybil Lewis and my weird western short stories.

DF: Who is Cybil Lewis?

NGK: Cybil Lewis is a private inspector in the future who investigates violations (crimes) for those who are afraid or don’t want to go to the police. She’s like a female Shaft in dystopian Washington, D.C., following her own moral compass, and getting the job done.  She’s by far my most personal and favorite character out of all of those that I have created over the last 20 years.

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DF: In the year since we’ve talked, has the prominence of female African-American Speculative Fiction writers grown? Diminished? Stayed the same?

NGK: It has exploded in the year since we talked! There are so many African-American Speculative Fictions writers that I struggle to keep up and to read others’ works! There’s just so much and that’s not a complaint! It’s so encouraging that younger African-American girls and boys and read books in speculative fiction with protagonists that look like them. They’re the heroes and heroines, the super powered people in those stories and that is beautiful.

DF: How do you see your role in the community of female AASF writers? IS there a community of female AASF writers? And if not, why isn’t there one?

NGK: There’s a community of AASF writers, but I don’t belong to an “official” one. I have a solid group of AASF authors who support each other, work together to network and share ideas, and push each other to be great. It’s something African Americans have always done, especially black women. We’ve taken care of things when we need to and for the community. Over the years, I have found and been gifted with really intelligent and brilliant AASF who may be further down the road in their career than me, but who reach back and mentor. Linda Addison does this as well as Tananarive Due and others.

DF: Who should we be reading these days? Who are you reading?

NGK: Right now, I’m reading Daniel Jose Older, Tomi Adeyemi’s, Eden Royce, and Sherrilyn Kenyon.  Everyone should be reading and supporting independent authors! My currently reading list has independently published authors on them, and honestly, I met some amazing authors at Blacktasticon. If you’re into comics, you should read Robert Jeffery’s Route One, and William Satterwhites’ Stealth.  There’s so much good reading being put out by small presses and independently published authors.

DF: How was Blacktasticon 2018? How much fun did you have?

NGK: Blacktasticon 2018 was a warm hug! It was mind-blowing, stimulating, and a huge creative bump for me. I did have to pinch myself several times as I sat on panels with my writing heroes. Sheree Renee Thomas, Linda Addison, John Jennings are the stars of black speculative fiction and I couldn’t believe how generous they were with their time, with their knowledge, and that was what really made the event for me. This community of individuals coming together to talk about speculative fiction through the lenses of Afro-centric beliefs, ideals, and historic context. I learned so much. My soul was fed. No other convention does that in the way that Blackstasticon did.

DF: For someone who hasn’t read any of your work, what should they start with and why?

NGK: For those who haven’t read any of my work, I would start with SILENCED, the first Cybil Lewis novel. It’s such a great story, and it’s a pretty good example of the types of stories I tend to tell. Of course, my writing has changed a lot over the years, but that’s the best representation of my writing style.

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DF: Where can people find out more about you and your work?

NGK: People can find me at Other Worlds Pulp, which is my website: http://www.nicolegivenskurtz.com, on Twitter at @nicolegkurtz or a facebook at https://www.facebook.com/NicoleGKurtz

DF: Anything else we need to know?

NGK: I’m giving away a free copy of my Cybil Lewis short story, “Recruited,” when people sign up for my newsletter. Interested parties can go here: https://nicolegivenskurtz.com/newsletter/

Thank you, Derrick for the interview. It is always a pleasure.

The Spirit of Wakanda

If you’re among those who saw BLACK PANTHER and loved it…

…and if you didn’t love it I’m not sure we can still be friends. But I digress…

…you’re probably salivating and looking forward to more adventures of King T’Challa and wondering how you’re going to fill your entertainment hours with more of the same. You desperately crave for more fantastic tales of black heroes and heroines to feed your stimulated imagination now that your creative juices are flowing and your soul seeks to enrich itself with legends and stories of heroes and heroines who can stand shoulder to shoulder with T’Challa, Princess Shuri, Nakia, Okoye and M’Baku.

Look no more.

There’s a legion of staggeringly creative black writers and artists that have been working like gubmint mules for years producing just those kinds of stories. Some of their names you know. Charles Saunders. Milton Davis. Balogun Ojetade. Gerald L. Coleman. Valjeanne Jeffers. Jeff Carroll. Nicole Givens Kurtz. Toi Thomas. Alicia MCalla. Thaddeus Howze. Brian W. Parker. Ronald T. Jones. Mshindo Kuumba. Jarvis Sheffield.

Some names you don’t. But that’s okay. There’s two places you should start to learn the names you’re not familiar with.

One is here: Black Science Fiction Society

And the other is here: The State Of Black Science Fiction

So now you don’t have to wait. Because there is more wonder and adventure out there than I think you didn’t know existed. And I envy you the discovery. Wakanda is not just a country. It is not just a warrior spirit and code. It is not just a technology. Although it embraces and celebrates all of these.

Wakanda is also a family of imagination. Because we can dream our future into reality.

And in this…we are all this day and forevermore citizens of Wakanda.

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“Wakanda will no longer watch from the shadows. We cannot. We must not. We will work to be an example of how we, as brothers and sisters on this earth, should treat each other. Now, more than ever, the illusions of division threaten our very existence. We all know the truth: more connects us than separates us. But in times of crisis the wise build bridges, while the foolish build barriers. We must find a way to look after one another, as if we were one single tribe.”

-King T’Challa, Sovereign of Wakanda

Derrick Ferguson Gets Et By BARRACUDA

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There’s a wonderful story told about the filming of the classic 1946 Humphrey Bogart/Lauren Bacall murder mystery “The Big Sleep.” The plot of the book was so convoluted that in translating it from print to screen, director Howard Hawks and his screenwriters William Faulkner, Leigh Brackett and Jules Furthman discovered that not only were they not entirely clear as to who the killer of Sean Reagan was, they also had a dead chauffeur on their hands and they couldn’t figure out who killed him. In desperation they contacted the writer of the book, Raymond Chandler to ask him who killed Sean Regan and the chauffeur and Chandler had to admit that he himself didn’t know.

Indeed, there’s a terrific bit of business right in the middle of “The Big Sleep” where Bogart’s Philip Marlowe is called into the Los Angeles D.A.’s office to explain the case to him and by extension to the us, the audience. Because by the time we’ve reached that point of the movie the filmmakers felt that there needed to be some kind of summary of what happened so that audiences back then could take a breath and feel they were up to speed on what the hell this movie was all about.

I feel kinda the same way about Raymond Embrack’s impressively deranged BARRACUDA: A PETER SURF NOVELLA. Halfway through it needs somebody to hold up both hands, yell “Hold everything, please!” and summarize the plot. And trust me, I mean that in a good way. Because in the same way that “The Big Sleep” is now regarded as a classic of the private eye genre, I think that BARRACUDA in its own way is going to become a classic. And Raymond Embrack is a writer to watch.

Peter Surf is a private eye living and working in Blonde City, a California city that seems to be entirely made up of linked beaches each with their own distinctive personality. Blonde City itself is one of the best characters in the story, inhabited by gangs such as The Schoolgirl Mafia who commit thrill killings while hopped up on Hentai-14 and The Beach Mafia whose members worship The Beach Boys to the extent that all of them have the last name of “Smile” in honor of Brian Wilson’s epic project. It’s a city that seems made up out of equal parts of 1950’s, ‘60’s and ‘70’s pop culture with a healthy heaping dose of whatever the hell Raymond Embrack felt like throwing in and believe me, he makes it works. And for me watching him make it work was one of the fun things about reading this story.

Peter Surf himself is…well, the best way to describe him is if you imagined Mike Hammer created by Quentin Tarantino instead of Mickey Spillane. He lives and works out of a converted, arsenal filled service station and he doesn’t so much as do straight up detective work as wreak havoc among his enemies until somebody yells “uncle” and tells him what he wants to know.

And the havoc is profane, sexy and violent and I wouldn’t have it any other way. The story begins with Surf investigating a terrorist group called T-Unit. They’re terrorizing the private eyes of Blonde City. They’re running some out of town and outright killing others. They make the mistake of terrorizing Surf instead of killing him. From then on, Peter Surf becomes a one man wrecking crew on the warpath of T-Unit.

How this is all tied with the DEA, a particularly dangerous man named Gronsky and Blue Mermaid, a type of maryjane so mythical it’s supposed to be able to heal people I would not dream of telling you. Just be advised that by the time you reach the halfway point of BARRACUDA you may be tempted to say, “Hold everything, please!” go back to the beginning and start reading all over again just to make sure you know exactly what is going on.

That’s because Mr. Embrack writes like this was the only book he was ever going to write in his life. There’s an astounding amount of vibrantly alive characters, situations and concepts that other writers would have spread out over a trilogy. BARRACUDA is never boring and never lags due to the constant and unending stream of sheer delightfully WTF plot twists Mr. Embrack throws at us with glee.

The dialog is pure classic P.I. genre porn where everybody talks like a dame or a smartass or a tough guy. And Mr. Embrack allows himself to have fun with his concepts, his prose and the dialog. I like to think that I can tell when a writer had fun writing a story because that fun can’t help but translate into the prose. And if Raymond Embrack has half as much fun writing BARRACUDA: A PETER SURF NOVELLA as I did reading it then he had a big ol’ barrel of fun indeed. Highly recommended reading.

I do gotta point out that this is not for those of you who are PC minded or who object to graphic language, violence and/or sex. But if you want to read a really good crime/P.I. story that reminded me a lot of “Sin City” on crack you can’t do better than BARRACUDA: A PETER SURF NOVELLA. 

Want to read BARRACUDA and more Raymond Embrack novels? Of course you do. Bounce on over to Raymond’s Amazon Page 

Raymond like to review movies as well. Be sure to check out “I’M SERIOUS HOW, LIKE I’M A FILM CRITIC?”