Category: Kickin’ The Willy Bobo

Derrick Ferguson Gets Et By BARRACUDA

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There’s a wonderful story told about the filming of the classic 1946 Humphrey Bogart/Lauren Bacall murder mystery “The Big Sleep.” The plot of the book was so convoluted that in translating it from print to screen, director Howard Hawks and his screenwriters William Faulkner, Leigh Brackett and Jules Furthman discovered that not only were they not entirely clear as to who the killer of Sean Reagan was, they also had a dead chauffeur on their hands and they couldn’t figure out who killed him. In desperation they contacted the writer of the book, Raymond Chandler to ask him who killed Sean Regan and the chauffeur and Chandler had to admit that he himself didn’t know.

Indeed, there’s a terrific bit of business right in the middle of “The Big Sleep” where Bogart’s Philip Marlowe is called into the Los Angeles D.A.’s office to explain the case to him and by extension to the us, the audience. Because by the time we’ve reached that point of the movie the filmmakers felt that there needed to be some kind of summary of what happened so that audiences back then could take a breath and feel they were up to speed on what the hell this movie was all about.

I feel kinda the same way about Raymond Embrack’s impressively deranged BARRACUDA: A PETER SURF NOVELLA. Halfway through it needs somebody to hold up both hands, yell “Hold everything, please!” and summarize the plot. And trust me, I mean that in a good way. Because in the same way that “The Big Sleep” is now regarded as a classic of the private eye genre, I think that BARRACUDA in its own way is going to become a classic. And Raymond Embrack is a writer to watch.

Peter Surf is a private eye living and working in Blonde City, a California city that seems to be entirely made up of linked beaches each with their own distinctive personality. Blonde City itself is one of the best characters in the story, inhabited by gangs such as The Schoolgirl Mafia who commit thrill killings while hopped up on Hentai-14 and The Beach Mafia whose members worship The Beach Boys to the extent that all of them have the last name of “Smile” in honor of Brian Wilson’s epic project. It’s a city that seems made up out of equal parts of 1950’s, ‘60’s and ‘70’s pop culture with a healthy heaping dose of whatever the hell Raymond Embrack felt like throwing in and believe me, he makes it works. And for me watching him make it work was one of the fun things about reading this story.

Peter Surf himself is…well, the best way to describe him is if you imagined Mike Hammer created by Quentin Tarantino instead of Mickey Spillane. He lives and works out of a converted, arsenal filled service station and he doesn’t so much as do straight up detective work as wreak havoc among his enemies until somebody yells “uncle” and tells him what he wants to know.

And the havoc is profane, sexy and violent and I wouldn’t have it any other way. The story begins with Surf investigating a terrorist group called T-Unit. They’re terrorizing the private eyes of Blonde City. They’re running some out of town and outright killing others. They make the mistake of terrorizing Surf instead of killing him. From then on, Peter Surf becomes a one man wrecking crew on the warpath of T-Unit.

How this is all tied with the DEA, a particularly dangerous man named Gronsky and Blue Mermaid, a type of maryjane so mythical it’s supposed to be able to heal people I would not dream of telling you. Just be advised that by the time you reach the halfway point of BARRACUDA you may be tempted to say, “Hold everything, please!” go back to the beginning and start reading all over again just to make sure you know exactly what is going on.

That’s because Mr. Embrack writes like this was the only book he was ever going to write in his life. There’s an astounding amount of vibrantly alive characters, situations and concepts that other writers would have spread out over a trilogy. BARRACUDA is never boring and never lags due to the constant and unending stream of sheer delightfully WTF plot twists Mr. Embrack throws at us with glee.

The dialog is pure classic P.I. genre porn where everybody talks like a dame or a smartass or a tough guy. And Mr. Embrack allows himself to have fun with his concepts, his prose and the dialog. I like to think that I can tell when a writer had fun writing a story because that fun can’t help but translate into the prose. And if Raymond Embrack has half as much fun writing BARRACUDA: A PETER SURF NOVELLA as I did reading it then he had a big ol’ barrel of fun indeed. Highly recommended reading.

I do gotta point out that this is not for those of you who are PC minded or who object to graphic language, violence and/or sex. But if you want to read a really good crime/P.I. story that reminded me a lot of “Sin City” on crack you can’t do better than BARRACUDA: A PETER SURF NOVELLA. 

Want to read BARRACUDA and more Raymond Embrack novels? Of course you do. Bounce on over to Raymond’s Amazon Page 

Raymond like to review movies as well. Be sure to check out “I’M SERIOUS HOW, LIKE I’M A FILM CRITIC?”

Derrick Ferguson Has A Martini At EL MOROCCO

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Having read four of his books now and one of them twice I think it’s safe to say that I’ve become a fan of Raymond Embrack. It’s always such a pleasant surprise to discover a writer who really makes me sit up and pay attention to what he’s doing and Raymond Embrack certainly does that. Why do I like his writing so much? I think it’s because he has that Swing For The Fences quality I always enjoy reading. Each and every one of his books I’ve read so far reads as if he’s afraid he’ll never write another one again and so they’re stuffed with off the wall characters, wild ideas and wilder concepts.  Add to that playful dialog married to descriptive passages and labyrinthine plot twists that I do think he gets carried away with at times.  But we’ll get into that later on. Right now let’s get into the plot of EL MOROCCO.

It’s the swingin’ hepcat 1960’s and Guy Roman is a hot up-and-coming comic working Atlantic City. He’s not quite big time yet but he’s on his way. Until he gets derailed by New Jersey wiseguy wannabe Jackie Rockafero who blatantly hijacks Guy’s comedy routine as he thinks it would be fun to trade leg-breaking and loan sharking to be a stand-up comic. Naturally Guy takes exception to this. Jackie offers Guy gold or lead. Guy takes lead and winds up left for dead in a filthy A.C. alley alongside the ridiculously gorgeous showgirl Tess Revere who has also pissed off Jackie in a way I would not dare dream of revealing here.

Once he recovers, Guy, along with the brain damaged but still recovering Tess heads to Los Angeles where Jackie has become a comedic megastar. Guy’s intention is to not only take back his act but to make Jackie Rockafero sorry he was ever born. The conflict between them escalates into a major war that before it’s over involves the Hollywood film industry, celebrity gangster Mickey Cohen, crooked gossip columnists, high powered agents who are little more than scam artists and the West Coast Mafia a.k.a. The L.A. Set.

One of the things that makes EL MOROCCO so much fun to read is Raymond Embrack’s affinity for the language, attitudes and feel for the 1960’s. His characters all have a wonderfully smart-ass way of talking and yet he manages to not have them all sound the same. Everybody’s a smart-ass in their own way, if you know what I mean. And the characters and tone of the book are totally authentic to the time period. So those of you who are actively PC should be warned. The people in EL MOROCCO talk, act and think like people who lived in the 1960’s talked, acted and thought and I wouldn’t have it any other way. I’m actually more comfortable with that than with books that are supposed to be set in the 1930’s, 40’s, ‘50’s or ‘60’s but are peopled with characters from the ‘00’s.

What else can I say to recommend the book? Raymond’s way of writing is one where he’s clearly having fun with language and with words. He obviously enjoys the way he’s telling the story in the language and style and rhythm of the dialog and description. It’s really enjoyable to read his prose as it sings and swings with the patois of 1960’s hipster jive talk.

What’s my only quibble with the book? Remember earlier when I mentioned that Raymond gets carried away with plot twists? The plot twists at the conclusion of EL MOROCCO come so fast and there are so many of them that I felt he was pushing it and I was wondering if he was deliberately trying to see how many plot twists he could throw in there before they collapsed under their own weight. But that’s okay. Above all, I like and admire Raymond Embrack for his sheer audacity and willingness to take the chance of going too far with his bizarre plots and outrageous characters. It’s always more fun to read a writer who isn’t afraid to Go There instead of one that offers up easily digestible prose that is no more exciting to read than recycled oatmeal is fun to eat. He’s an extremely entertaining writer and if you’re going to start reading him, EL MOROCCO is a great place to start.

Raymond Embrack’s Amazon Page

Want To Check Out Raymond’s Unique Take On Movies? Then Go On Over To: “I’m Serious How? Like I’m A Film Critic?”

Kickin’ The Willy Bobo With…TRELINA GONZALEZ ANDERSON

Derrick Ferguson: Who is Trelina Gonzalez Anderson?

Trelina Gonzalez Anderson: Goodness! What a big question! I guess I could summarize myself with: Wife, mother, photographer, dancer, nerd, coffee addict, pie enthusiast, and weight gain expert, in no particular order.

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DF: Where do you live and what do you do?

TGA: I live in the Baltimore area of Maryland in a tiny townhouse that we don’t really fit in anymore. As for what I do, I do lots of stuff. My two most important jobs, and the two that bring me the greatest amount of joy, are wife and mother. I am also a portrait photographer, and sometimes I get up on stage as a belly dancer.

DF: Tell us about your background. What’s your origin story?

TGA: (I really wish I could say that my origin begins with me falling into a vat of some mysterious, glowing, purple liquid, but alas, I’m just a regular girl.)

I was born in Arizona into a military family, so we moved around a lot. I attended 8 different schools, which was difficult, but ultimately gave me a rather wide view of the world around me. I lived in a town with a population under 50, I lived on two different islands in two different oceans, I lived in a huge, sprawling city, I lived in a rural, farming community, I lived on military bases and on the economy, I lived outside of the U.S., and in many regions of the U.S. I don’t consider myself to be super well-traveled, but enough to be open to many different perspectives, and I love hearing people talk about themselves!

DF: You’ve displayed an amazing talent for photography. Have you always been interested in photography?

TGA: Yes, I have! My father was a (hobbyist) photographer, and I think it started there.

DF: What do you love most about being a photographer?

TGA: Oh wow, that’s a tough question because I really love everything about it! There’s math and science to it, which can sometimes be a challenge, there’s art to it, which is fun and exciting, and sometimes so frustrating. I love learning new techniques, new skills, and I LOVE trying new styles!

DF: Do you plan on turning pro?

TGA: Well, I do charge for my services, so I guess I’m already pro. At this point, I’m only working at it part-time, though.

For examples of Trelina’s stunning photography, bounce on over to Photography By Trelina

DF: How did you get involved with belly dancing?

TGA: So, my very best friend, Misha (https://www.facebook.com/makeupbymishac/), has been belly dancing since she was a little girl. Years ago, maybe 20 years or so, she tried to get me to take classes with her, but I was super intimidated by it, so I never did. She would bring it up off and on over the years, but I always declined. Later, a different friend wanted to try belly dance as a way of getting some exercise in a more fun way than just going to the gym. So, I asked Misha and she recommended a teacher that was near where I worked, and somehow, I allowed myself to get talked into attending that class. And then I fell in love. Now Misha and I get to dance together, and my dance sisters are my family.

DF: Much like your husband Russ you’re something of a geek yourself. What are some of your favorite comics? Movies? TV shows?

TGA: HAHA! You know, Russ always tells people that he got me hooked on comics so that he could continue to collect after we were married. (Like I would EVER ask him to stop doing something he loved!) He started me on Wonder Woman, and George Perez, both of whom will always be my very, very favorite.

My favorite movie is “The Princess Bride”, but I enjoy so many movies, especially movies that are now considered to be “classics.” “The Magnificent Seven”, “The Great Escape”, pretty much any Humphrey Bogart (with or without Lauren Bacall), and embarrassingly, I have a soft spot for musicals. (I know, I know.)  I REALLY like cheesy, silly “monster” movies like “Mega Python vs. Gatoroid” and “Mega Shark vs. Giant Octopus”. Don’t judge me!

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As for TV shows, those are far too numerous to list here.  As long as there is a good story with not too much whining, I probably can find some joy in it.

DF: Speaking of Russ, what’s it like being married to a writer?

TGA: Well, he disappears into his writing cave at regular intervals, and he’ll be gone for hours, but then, just as we’ve forgotten about him, he’ll magically reappear and devote himself completely to us. So, you know, the usual. He bounces ideas off of me regularly, which is a lot of fun and I love that he shares his art with me.

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DF: Do you have any ambitions of being a writer yourself?

TGA: No, but both of our daughters have written stories and books. Daddy is very proud!

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DF: What’s a typical Day In The Life of Trelina Gonzalez Anderson like?

TGA: My alarm goes off at 7 a.m. and I immediately hit the snooze button. Assuming that my kids don’t come stampeding into my bedroom, I get up with the next alarm and get my kids up for school. For the next hour, there is organized chaos and frenzy while I get lunches packed, backpacks packed, small breakfast for the girls, make sure everyone is dressed appropriately, teeth and hair brushed, winter wear is all donned, and they are out the door in time to meet the bus.

While the girls are at school, I clean and run errands, work my photography business, practice photography techniques, practice dance, practice guitar (a new endeavor!), and work on my Spanish – something I wasn’t lucky enough to learn while growing up. Occasionally I will have a daytime photo shoot, or if I’m really lucky, I get to meet a friend for lunch or coffee.

Once the girls get home from school, it’s back to organized chaos and noise until bedtime, unless I have an evening photo shoot. I know that doesn’t sound terribly exciting, but truthfully, I love our life.

Derrick Ferguson: Anything else we need to know about you?

Trelina Gonzalez Anderson: I typed all this out with raw, bloody fingers. Beauty is pain, though, right? 🙂

Kickin’ The Willy Bobo With…JILLY PADDOCK

Derrick Ferguson: Who is Jilly Paddock?

Jilly Paddock; I’m a British woman, no longer young but not yet ancient. There’s a lot of grey in my hair, which used to be black, and my joints ache in wet weather. I’m interested in biology, geology and astronomy – I like to know the names of animals, wildflowers and trees, rocks and gemstones, constellations and stars.  I like Pre-Raphaelite artwork, Romantic poetry, folklore and folk music. I’m very practical and have dabbled in a lot of different crafts, including jewelry-making, silversmithing and knitting. I collect studio glass perfume bottles and tarot decks. I’m a cat person, but don’t have any pets at the moment. I have a dark sense of humor.

I used to live in South London near Crystal Palace, which has a park with life-sized dinosaur statues sculpted by Benjamin Waterhouse Hawkins. They date from 1854, were the first of their kind in the world and were scientifically accurate at the time. I saw them as a child – how could I not write fantastic stories after that?

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DF: Where do you live and what do you do to keep the creditors away?

JP: I live in the UK, in a cathedral city in the Fens in East Anglia. I have a small house packed with books, CDs and other stuff, and I share it with Dave, an editor and book reviewer. I miss the chalk hills and woodlands of South East England, where I grew up. It’s very flat here, with wide open skies. I live on the edge of the city and can drive out to the countryside in a few minutes.

I spent most of my working life in the NHS (National Health Service). I was a Biomedical Scientist, which sounds very grand but is just a posh name for a lab technician. I worked in Microbiology, growing and identifying bacteria, testing for antibiotic resistance and doing blood tests to diagnose all kinds of diseases. I’ve handled all kinds of pathogens, including TB, typhoid, cholera and diphtheria, and also viruses like Hepatitis B and HIV on a daily basis and somehow lived to tell the tale. I took early retirement in 2011 and now survive on my NHS pension. It may sound odd but I still miss the bacteria, the colors of the colonies on the various media, the smells (some Streptococci smell of caramel and other bacteria have very distinct odors like pear drops or geraniums) and the sense of wonder when you find something unexpected or unusual.

DF: How long have you been writing and what have you learned about yourself through your writing?

JP: I started writing when I was eleven, inspired by two schoolfriends to put pen to paper. I’d always lived in imaginary worlds inside my head, but now the three of us wrote stories, shared them and had a lot of fun doing it. Both of my friends are now published writers working in the fantasy, science fiction and horror genres. I kept writing, selling a couple of short stories in the 1990s and trying to get a novel published. It was the first of the Zenith Alpha 4013 series and although several editors liked it, it never made it into print. After I retired I self-published it as an e-book, along with two novellas and a collection of short stuff. Then Pro Se Press picked it up and TO DIE A STRANGER finally came out in paperback in 2014. It was very satisfying to finally hold a real, solid book in my hands after so long.

I suppose I’ve learnt that I can complete a novel, that I can make that journey from first line to ‘The End’ through the twists and turns of the creative process. There are recurring themes in my work; I seem to be obsessed by walled cities, AIs and dragons. There’s probably a deep psychological meaning behind that, but better not to dwell on it!

DF: What audience are you trying to reach with your work? Is there an audience for Jilly Paddock?

JP: I don’t write with any particular audience in mind. I just write for me, using mainly female protagonists. I suppose that my books have a flavor of the science fiction I read in the 70s and 80s. I’m surprised that I have many male fans, as my work isn’t hard science fiction and has a feminist slant. I’ve had several people who’d never dreamt of reading science fiction pick up my books and tell me they enjoyed them, which is very gratifying.

DF: Where do see your writing career five years from now?

JP: Hopefully all of the Anna and Zenni books will be out by then, plus the huge space opera, WARBIRD. I’d like to still be going to conventions, maybe two or three a year. It would be nice to be better known and to sell more books, of course.

DF: What are you working on now?

JP: I’m finishing the fifth Anna and Zenni book, which was inserted into the original chronology so I could play with the characters a bit more. I have other unfinished pieces, notably a fantasy that’s a simple fairytale with a big dose of folksong and a talking horse, LADDER TO THE MOON, which I need to complete and release into the world.

DF: A. Afton Lamont and her partner Jerome are characters you obviously have a lot of affection for. What is the origin story behind your creation of them?

JP: Afton and Jerome came from a small seed – I needed a pair of detectives on a colony world for a short story, which turned into BLIND WITNESS, which is in the LEGENDS OF NEW PULP anthology. A friend had mentioned that most of my male characters were bastards, so I decided to have a nice man as my first-person protagonist. Poor Jerome – as well as being my first likeable man, I made him black and bisexual as well! He isn’t human; he was rescued from a barbaric desert planet by a team of Earth scientists, who then mutilated him with surgery and inflicted our culture on him. He doesn’t quite fit in the society he lives in; as he says of himself, he’s a stranger in a strange land. Afton started out as the classic cynical police detective, belligerent and disliked in the ranks, full of anger and sarcastic quips. We still don’t know much about her past; she was born on Earth and probably spent some time in the military, but how she ended up on a backwater colony world is a mystery.

I do like my characters, some more than others. I spend so much time with their voices in my head that it’s hard not to see them as friends.

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DF: TO DIE A STRANGER mixes science fiction with elements of the thriller and detective genres. Mashing up different genres seems to be a trademark of yours. Why do you enjoy blending genres together?

And what’s the secret to mixing different genres together and making them work smoothly with each other?

JP: I didn’t realize that’s what I was doing until my reviewers pointed it out. When I started out, choosing science fiction was a no-brainer – what other genre allows you to write about anything you can imagine? I’d read a lot of thrillers and detective novels as a teenager, so that went into the mix, and it didn’t seem odd to add a little supernatural and magic, mythology and folklore. Real life has traces of all of that, plus a big dollop of coincidence and synchronicity that readers would baulk at if you put it in fiction. I just let the story go where it wants.

I’m not sure I know the secret of mixing genres, as I don’t do it deliberately. Keep your nerve and make it plausible – if you’re confident and believe in the plot your readers will go right along with you.

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DF: WITH AMBER TEARS is the sequel to TO DIE A STRANGER. How many more books have you got planned for this series?

JP: It’s planned to be a ten book series. The fourth book, THE BEAUTY OF OUR WEAPONS, is with Pro Se and due out in May/June this year. Book five is unfinished, six to eight are complete but need minor re-writes, nine exists as fragments and ten needs a bit more work. This series is unusual in that I started writing it in 1973 and the books have been lurking on my hard drive since then, constantly being tweaked and altered as the story arc unfolded.

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DF: STARCHILD is your latest novel. What’s it about and why should we be reading it?

JP: STARCHILD is the third in the Zenith Alpha 4013 series. Anna and Zenni are now working for Earth Intelligence (EI) and need to prove themselves, so they’re sent to Ile Garoque, a world that severed all contact with Earth two decades ago. The initial plan is to put Anna in the entourage of StarChild, a hugely popular band who’ve been invited to play on the planet, but when Taheera, the lead singer, refuses to go the mission turns into an impersonation of her, using Anna’s acting skills and EI’s technology. Add to that a hostile first contact situation with a group of predatory aliens, an enemy making yet another attempt on Anna’s life, an unexpected romance and being caught up in two weird storms in hyperspace that can destroy unwary spacecraft.

This series is at the lighter end of science fiction, edging towards pulp sci-fi. I think of it as space soap opera; this one has romance stirred into the mix. It has humor and isn’t too gritty, although it does have some swearing and a sex scene, so I wouldn’t recommend it to kids. You should read it because it’s fun and I think most people would enjoy it.

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DF: What is the one book or story of yours you would recommend to somebody to start with? And why that book or story?

JP: That would have to be NO EARTHLY SHORE, a novella that’s currently only available as an e-book. It’s another tale of first contact, between the colonists of a world called Calvados and giant telepathic sea slugs, who were assumed to be just dumb animals until they save a girl from drowning and start talking to her. This time the mix includes a marine biologist, another EI agent (although he isn’t revealed as such within the story and he lacks psionic powers) and quilt patterns. It’s a very uplifting feel-good story and seems to appeal to science fiction fans and people who don’t usually read in that genre alike.

DF: Most of your novels and stories are connected. Did you start out to do this on purpose and is it easier to create stories once you have a fully developed universe in place?

JP: Again, this happened by accident. I can’t claim to have invented the universe – it’s a future variant of our own. I’m enough of an optimist to hope that we will go to the stars someday and set up colonies on other worlds. Some of the links between books seemed obvious and logical – the agent that Terrapol sent to help Afton and Jerome in THE SPOOK AND THE SPIRIT IN THE STONE had to be an agent-pair from EI – and some were in-jokes to amuse me and any readers who were paying attention. The world Jerome lives on was discovered by the spacecraft from WARBIRD, so some of the street names are surnames of the crew and Jerome’s cat, Gresham, is named after the ship’s captain, who is also ginger.

I suppose it’s a symptom of my scientific brain to keep things simple – don’t reinvent the wheel – so, if you need a planet, ship or character for the plot, why not use one you already have instead of starting again from the ground up?

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DF: What keeps you motivated when you have a creative slump?

JP: There have been times when I’ve stopped writing, when life really got in the way. The stories keep bubbling away in the back of my brain and I have to let them out eventually. I write to empty my head, to get it down on paper so it stops bothering me and I can move on to the next thing. I’ve always found that forcing words out when they aren’t ready doesn’t work well. I don’t like deadlines; that said, I have produced some short stuff very rapidly when necessary.

DF: Drop some much-needed Words of Wisdom on all the young aspiring writers reading this that are thirsting for your knowledge.

JP: Other people have said this, but it’s true – if you want to be a writer, write. Keep writing and finish stuff. Even if you think it’s awful don’t throw it away – keep it and you might be able to use it one day. Read, a lot.

And, if you write on a computer, for pity’s sake keep multiple copies and back-ups of your files!

DF: What writers have influenced you?

JP: So many! I read a lot of classic science fiction and fantasy – Heinlein, Asimov, Clarke, Tolkien, Leiber – they’re buried in the landscape that lurks under my writing style. I adore Cordwainer Smith, who had such a quirky voice, so deceptively simple with strange psychological depths. There are touches of him in STARCHILD, in a chapter title and the notion behind dragon-storms. I like Peter S Beagle, who writes lovely, poetic prose, and Tanith Lee, Louise Cooper, John Wyndham and Iain Banks – too many of those have died recently. The poetry of W B Yeats and John Keats haunts me, and also the song lyrics of Melanie and Leonard Cohen, which have also inspired titles.

DF: How much room in your head do you allow critics or criticism to occupy?

JP: Too much, I guess. One bad review overshadows ten good ones. I wish I could be more like Iris Murdoch, who said “A bad review is even less important than whether it is raining in Patagonia.”

DF: What’s a typical Day In The Life of Jilly Paddock like?

Ooh, I’m dead boring! I have porridge for breakfast and drink lots of tea. I don’t have an office of desk to write at – my computer is next to my armchair and I type with the keyboard on my lap. There’s usually music on in the background, as Dave has a vast and eclectic collection of songs and albums on his computer. I switch between writing, reading and the latest knitting project, and play solitaire to rest the eyes.

In winter I don’t venture out much – one of the joys of being retired is that you don’t have to go out in the rain or snow. About once a fortnight I take my father shopping and out to lunch. He’s 91 now and still lives independently, but he gave up driving last year and needs me to take him to medical appointments and the supermarket. I hope I’m still as fit and mentally alert (and alive!) when I get to that age.

Derrick Ferguson: Anything else we need to know?

Jilly Paddock: In the question about which book I’d recommend as an introduction to my work, I was torn between two, so can I mention the second one here? It’s THE THIRD WORST THING THAT CAN HAPPEN ON MARS and it appeared in PRO SE PRESENTS #19: SUMMER 2013. It’s about the misadventures of Vonnie, a teenage girl who isn’t at all happy when her parents move to Mars. It seems to be a popular story, particularly with youngsters, and will come out soon in a version illustrated by the award-winning fantasy artist, Morgan Fitzsimons. She did the covers for WITH AMBER TEARS and the e-book, THE DRAGON, FLY.

Dragon, Fly

 

 

You can find Jilly’s books on her Amazon page HERE