From The “Making An Impression” File by Sean E. Ali

So, FINALLY, Tommy Hancock over at Pro Se has done his reveal of three author imprints where I got to do the initial logo designs…

The plan was to reveal them over the weekend at the convention that hosts the annual Pulp Factory Awards in Chicago.

Not that I’ve ever been, but I’ve won one to my complete surprise.

So the three authors involved with this part of the reveal were Kimberly RichardsonFrank Schildiner and my good friend and partner-in-virtual crime Derrick Ferguson. All three are authors in something called “New Pulp” but really that’s kind of a narrow definition of their particular brands of storytelling. All three are well regarded, they’re unique in their own rights, they all have their followings who eagerly await their latest projects and all of them have happened to be offered a chance to exercise their prodigious imaginations under their own brands with Pro Se.

And lucky me, I get to contribute by building the first part of that brand with these imprint logos…

So, though you’re probably not asking, how does that work? Well I’m glad you didn’t ask, let me tell you the intricate planning that went into each one of these and the meticulous work we in the independent publishing game go through to make our talent shine…

Last weekend, Tommy hits me up on Facebook with no warning whatsoever and says he needs some author imprint logos for this show in Chicago: “can you do it?” I ask for details because obviously I’m just getting to a party already in progress, and he kicks out the rough ideas for Kimberly and Frank…

…which, BTW, for a guy so full of ideas and stories and plans was woefully light on details just generalities, and he turns me loose after I inform him I’ll talk to Derrick who had already contacted me. Derrick and I do all our stuff more like a couple of guys shooting the breeze on the front stoop on a Sunday afternoon. Yeah we work, it’s just more of a relaxed thing where we kick back and chat and at some point we, usually accidentally, hit on the right thing. I love our process because when we do chop it up, I never fail to end our conversation without a smile at the end and at least two good belly laughs from the soul.

Which is pretty much how his brand POWER PLAY! was done. I, in the course of our discussion run an idea of what I’d like to use as his look and he shows me the very thing I had in mind, which in an odd bit of coincidence was sitting on his desk: a gold clenched fist with that 1960s/70s Soul Brother/grindhouse film vibe as the logo. In my head, what you see as the POWER PLAY! logo was a black light velveteen poster stuck to a ceiling between some mirror tiles with a fish net full of fake starfish.

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It was the 70s, you had to be there.

So he was easy and POWER PLAY! was done in one. There are colored variants and, as a last minute thing, I added the tag line “Old School New Pulp” which is what Derrick does. He’s got an updated Men’s Adventure/Action Hero/Thriller feel to a lot of his projects, so it felt right.

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Now Kimberly’s came with the most detail from Tommy. Crossed guns, gothic mansion, emboss this, something something that…

So I did that first and like an old “Men On Film” sketch: “Hated it!” It didn’t matter how many ways I crossed the 20 pistols I put together, none of them looked right. So instead I went to work on the manor house bit and abandoned the guns. Nice… but generic. The house was sitting on a cliff, so I pulled the cliff, threw in a really basic shield, colored it all black… better, but still needed something. I uncrossed the guns, used them as a frame and was there.

But then I wanted to make it hers. Any schmuck could build a lady a house but it needs to be HER house. So I took a look at the lady I was building the house for since I’ve never had the pleasure IRL or online of getting to know her. First thing I noticed, which is the first thing I notice about a lot of women in photos, were her eyes…

…that, kids was the hook, she’s got great eyes. I stared at those eyes and attempted to be as accurate as I could be despite simplifying them for an illustration. Stared at them for so long, I think I owe her dinner and one failed rom-com running through the airport scene. I tossed an oversized moon in the background added the eyes and I was in love…

…with the final product.

So PULP GOTHIC gave me the Lady of the House, a touch of Stephen King in the mansion, got the guns in and it all was an echo of the old paperbacks that used to come with the mapback covers telling you about the location of the story.

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Last, but not least, came Frank Schildiner. His was done first, I really didn’t like it but I took Tommy’s rough idea too literal. Frank and I aren’t online running buddies, but he and I enjoy decent fight techniques, he’s a martial artist and instructor (in addition to being an author) and I’m immensely impressed by his focus and skill. Unfortunately the logo I came up with didn’t really reflect Frank or his work. It was sort of a hero shot that reminded me of a rejected logo for the old fitness guru Jack LaLanne. It was passable, but it wasn’t Frank. As Friday rolled around I still wasn’t happy with it and it’s hard to put out something I’m not in love with as I send it out. Tommy’s looking for logos and I’m one short. But it was also something Tommy said that sparked an image early on: “Frank’s work goes everywhere.” The image that invoked was pure Jack “The King” Kirby. If you don’t know Jack and his work in changing the face of comics as we know them with Stan Lee…

…move out of that cave so I can get you some help.

So the image I came up with was a complete re-do which is inspired by guys like Kirby and the late Darwyn Cooke and we had something worthy of Frank in particular and his work in general.

And I FINALLY learned how to DIY the famous “Kirby Krackle”…

…yeah, whatever, it’s a big deal to me.

So SCHILDINER’S WORLDS final look is probably more due to Tommy’s summation of Frank’s work than anything else. I had the image in my head, but thought I had to do the other thing based on his explanation of what he said the look should be.

So I did what he said over what he asked.

I submitted both though, as I did with the manor only version of PULP GOTHIC, because you should give a guy options…

I’m glad he chose the ones he did.

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Bet you’re wondering where that planning aspect went that I mentioned at the start, right?

Tommy and I refer to this as the “Butch and Sundance”…

If you’ve ever seen how BUTCH CASSIDY AND THE SUNDANCE KID ends for them, you’ll get it.

Sometimes we just have to take a leap, man…

So, if you follow these folks and missed Tommy’s press releases…

…big things are coming from some of your favorite folks…

Get ready to have your minds blown.

The rest of you, as you were…

…and move out of that cave so I can get you help.

Be good to yourselves and each other.

Dispatches From Windy City #4: A Last Series of Images

And actually that title is downright misleading because I’ve been back from Windy City for a week already. So this dispatch isn’t coming to you from Windy City but from the good old Ferguson Ponderosa in Brooklyn.

But this is the first time I’ve had to sit down at my desktop computer since I’ve been back (don’t ask…it’s a long story) since I had to unceremoniously flee from Chicago due to a freak snowstorm on Sunday morning. Which meant I had to miss a panel I was to sit on and for that I apologize to one and all. If I can make it up to you, please let me know.

But I wanted to cap off my Wind City adventure with some final images of the good time I had and share them with you good folks. So please enjoy and as always, thank you for your kind indulgence and support.

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Dispatches From Windy City #2

Tumbling through a thousand centuries

You don’t know where you’ll land

It’s so dark in mythology

Treasures of history to be found

Near the legends of time

All the handiworks remain there

Only a dream away

Those are lyrics from “Dream Away” The theme song to TIME BANDITS, one of my favorite movies of all time and they occurred to me because of the conversation I had this morning over breakfast with Ron Fortier and Rob Davis.

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Oh, we talked of many things. Of family, of our craft, of movies…and if you ever invite Rob Davis to your house, please watch YOUNG FRANKENSTEIN with him, okay? I’ll let him tell you why.

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But then we started talking about the art and craft of storytelling. And I told Ron and Rob my theory that if aliens ever did visit us it would be because they would be fascinated by the fact that we humans are a Race of Storytellers.

Think about it. You come home at the end of a long hard day from work or school or whatever. You sit down to dinner with your family and you say to them; “Tell me about your day.”

And then they tell you a story.

Because it is now a story because they have had time to think about it, to process it through their emotional and intellectual matrixes. It isn’t events as it actually happened.

It is A STORY.

And if there is any gift that we have as The Human Race is that we know how to tell A STORY.

Which is what a lot of today was about. I had breakfast with Ron and Rob and we told stories. Then we went to the venue and met up with Tommy Hancock and Aubrey Stephens and we told more stories. Then I met Gordon Dymowski and even more stories were shared. Gordon and I had a really good conversation about how much the subconscious plays in the creative process. Don’t sleep on this guy. I learned a LOT speaking to him in just fifteen minutes than I do in three hours with other folks.

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We’re having a good time and I hope you are as well. Tonight, it’s dinner at Fuddruckers, the New Pulp Awards and then the drinking and whoring.

Wait…scratch that last part.

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And here’s a picture of Aubry Stephens along with a link to the video of Blues Traveler singing “Hook” for no other reason than every time I see Aubry, this song plays in my Personal Soundtrack:

 

 

Dispatches From Windy City #1

Whenever I’ve talked about trips I’ve taken in the past (especially to Florida) you’ve usually heard me talk about driving down there. And driving is usually how I do travel. I’ve driven down to Florida and back to Brooklyn at least a dozen times. Which has led some people to think that I don’t like to fly or am scared to fly. Actually, I’m not. I’ve flown many times in the past. Flying’s cool. I just prefer driving because I like to take my time to get to where I’m going and I like to run on my own schedule. I start taking planes and bam! everything is out of my hands. I gotta be here at this time and I gotta do this and I gotta do that. All of a sudden, it’s as if all the fun has gone out of travelling because now it’s more about meeting schedules that others have set for me rather than me just jumping in my car and going wherever I please and doing whatever I want.

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So why did I jump on a plane and come to Chicago for the 2019 Windy City Pulp & Paper Convention?

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Simple. I thought it would be fun and there were people here I hadn’t seen in awhile and I wanted to see again.

Such as Ron Fortier and Rob Davis, the Captain and Chief Engineer of Airship 27. I haven’t seen these cats since the first Pulp Ark many moons ago and it was high time I hung out with them again.

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And I never pass up a chance to harass Tommy Hancock. I’ve been doing it for twenty years. Why should I stop now?

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And doubtless there are many more people I will resume an acquaintance with here and those I will meet for the first time. And that’s really what it’s about, isn’t it? Or at least it should be. It most certainly is for me. Making connections. Meeting new people. Renewing friendships with fellow writers, colleagues and enthusiasts of Pulp, be it Classic or New.  Talking about the things we love in Pulp and how we can make it better and how we can expand the audience and share it with the world.

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I’ll be here in Chicago at the Windy City Pulp & Paper Convention this weekend so get used to seeing these dispatches for the next couple of days. Like those war correspondents you see in those old Black & White WWII movies who went out on the front lines during the day and then at night filed stories about what they had heard and seen? Yeah, this will be kinda like that. You guys know how I be.

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Tommy and I have already talked about major Dillon and Fortune McCall stuff. Ron and Tommy are going to be making major announcements tomorrow as Friday is the actual day this shindig starts. We just got here early because there’s a whole LOT of stuff that has to go on behind the scenes before the jump-off jumps off. I may even do a Facebook Live from the floor of the convention. Anything to show you guys how much fun we’re having.

We haven’t even really gotten started yet and we’re already having a ball.

Watch this space.

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Literary Pulp: Why It Makes Sense and How To Write It

“Just because a section in the bookstore is called literary fiction doesn’t mean the books there are better than everything (or even anything) else in the rest of the store. Nor does it mean it’s intrinsically good at all. Literary fiction is based on a set of rules for storytelling just like genre fiction is based on a set of rules for storytelling just like comic book writing is based on a set of rules for storytelling just like… Well, you get the point.”

Featuring Derrick FergusonPerry Constantine, and Barry Reese.

Bounce on over to The Writing Blog of Sean Taylor for the full story

 

Literary Pulp—Why It Makes Sense and How To Write It

What Else I Got Goin’ On

Ah, the beginning of a New Year…a time to revel in the hopes and dreams and ambitions of twelve spanking brand-new months ahead of us, am I right?

So of course, this post won’t be about that. Instead I’m going to indulge in my usual blatant huckstering of my wares. Hey, if there’s any resolution I’ve made for 2018 it’s to make sure that you have no reason to say you don’t know me or what I do. And so we begin:

Derrick Ferguson’s Amazon Page: Here’s where you find all the books I’ve written and all the anthologies I’ve got stories in.

Dillon: the blog dedicated to my best known and most popular character. If you don’t know anything about Dillon and want to get a flavor of what the character is about and what his adventures are all about, start here.

Usimi Dero: My Facebook group. Most of the members are writers, podcasters, artists and folks of various creative pursuits. It makes for some fun and lively discussions. Feel free to check it out and if it strikes your fancy and seems like a spot you’d like to hang out on a regular, by all means, join up.

My Patreon Page: Currently I’ve got two serials running there with a new chapter every month. First up there’s “Dillon and The Prophecy of Fire” which is a direct sequel to “Dillon and The Night of The Krampus.” If you are a fan of Dillon then you should be reading this one because there’s a lot of surprising revelations secreted within. And there’s “Diamondback: It Seemed Like A Good Idea At The Time” the remastered version of my long out-of-print urban western.

The Ferguson Theater: My movie review blog. There’s something like 400+ movie reviews up there now and I’m adding to it all the time. I seem to have achieved some sort of popularity with it. So if you’re a movie fan, bounce on over there and read some of the reviews. Then drop me an email or leave a message there and tell me how wrong I was in my reviews of your favorite movie.

Okay? I’m not a hard guy to find as you can see. And you can always come on right back here to catch up with what I’m doing with my other writing projects. You may even find a book review or an interview with a writer or some other creative type. Thanks for stopping by and don’t be a stranger, hear?

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