I know what you’re thinking; “Damn, Derrick…this thing came out back in 2015 and you’re just now getting around to reading and reviewing it?” Well, I did read it back in 2015 and fully intended to write up a review of it back then as I am an avid fan of the work of Joel Jenkins and Percival Constantine. But as so many of my editors/collaborators know, I’m so easily distracted by bright shiny objects. But thanks to Christofer Nigro (who I’ve since also become a fan of) I revisited this book and ta-da…here at last is the review. I hope it’s worth the wait.
“Black-Hearted Killers: A Monica Killingsworth Story” by Joel Jenkins. Monica Killingsworth is one of Joel’s favorite characters. I can tell because of my firm belief that if a writer is truly having fun writing a story/novel then that fun can’t help but be translated to their prose. He’s written several stories about Monica, all of which I recommend. The story itself is in Full Tilt Boogie Action Movie In Prose Mode from start to finish. The only drawback I can point to here is that for somebody like me who has read other Monica Killingsworth stories and so am familiar with the character and her background so that I was able to fill in the gaps from memory. But for somebody who is coming to the character cold they might be a bit bewildered by exactly who these people are and what’s going on. But if all you’re looking for is plenty of shootouts, wiseass dialog and eccentric characters, you should give this one a try. I especially liked how the ending turned out to be a real surprise.
“The Damsel of Disaster” by Christofer Nigro. Christofer does a good job of setting up the scene, letting us know where and when we are. I like that he sets the story in Buffalo as it’s a good reminder than organized crime was operating everywhere and not just in New York City and Chicago. But I do question as to why one mob boss would bring along his daughter and the other one would bring along his girlfriend to a sit-down where they are going to discuss things that are best not discussed with potential witnesses in the room. He’s got good characters and a solid plot but everything feels compressed and rushed and just shoved into too small a space for events to happen organically. Too many moments in the story feel like they happen just because Christofer wanted them to happen and not because they came from the interaction of the characters and the decisions that they make. But overall, it’s a well-paced story that doesn’t slow down for a bit and it does the job it’s supposed to do; tell a hard and brutal story about hard and brutal people and on that level, it succeeds.
“Tragic Like A Torch Song” by Shannon Muir. If I had to categorize the stories so far, I’d say the first one is 1980s Action Movie while the second is 1930s Warner Bros Gangster. This one is firmly in the arena of Film Noir. I could easily visualize this story in nourish black & white while reading it. Torch singer Hazel Atwood agrees to do some amateur detective work for her manager Frank who thinks his wife is cheating on him. The manager is skeptical but Hazel’s father used to be a P.I. and she persuades him that since she knows Hazel, Frank’s wife won’t be suspicious if she does her snooping around. When Frank turns up dead shortly afterwards, everybody is not only suspicious, they’re suspects as well. But Frank’s murder isn’t the only mystery to be solved. There’s also the secret of Hazel’s parentage that gets coiled up in Frank’s murder and she needs to unravel the both of them. Out of all the stories in the book, this is the one you’ve got to pay the most attention to because the solution to both mysteries is both tricky and convoluted. I’m not ashamed to admit that I had to read the ending twice to make sure I understood how and why everybody and everything was connected.
“Shikata Ga Nai” by Percival Constantine. Know what I miss? Private eyes who keep a bottle of booze in their lower right-hand desk drawer, a loaded .38 revolver in the pocket of their trench coat and who solve their cases with experience and knowledge of human nature along with sheer brainpower instead of computers and DNA results. Private investigator Kyoko Nakamura is just such a private eye. In a relatively short story, Kyoko comes to life and Percival uses the location of Osaka, Japan almost as another character in the story. The missing person case Kyoko accepts at first appears to be a fairly easy one. But that’s before the Yakuza gets involved and soon Kyoko has a hired killer stalking her. This isn’t a twisty, convoluted mystery where you have to really work to make sense of what is going on but it is an excellent introduction to the character of Kyoko Nakamura and her world (Note to Christofer Nigro: go read this story for the dialog. THIS is how people in this kind of story talk)
Even though it was published in 2015, this could be the perfect time for THE DAME DID IT to be discovered and find an audience as we’re seeing strong women characters in prose, TV and movies stepping into the spotlight in all manner of fresh, new and exciting ways. A book of stories, all with female protagonists kicking ass and taking names may have been ahead of it’s time in 2015 but in 2018 it’s right on time. Enjoy.