Derrick Ferguson Agrees That LOVE STORIES ARE TOO VIOLENT FOR ME

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I’ve always thought that for the most part, private eye novels/movies end up being one of two kinds of stories. There’s the one where the private eye is hired to do a job and he doggedly pursues that task, relentlessly wading his way through a miasma of liars, gunsels, crooked cops and deceptive dames until arriving at the solution to the mystery. Think “The Maltese Falcon” or “Chinatown” and I think you’ll get what I mean.

Then there’s the other kind of private eye story where the solution to the mystery seems to be almost an afterthought. True, the private eye is hired for a job but in the course of doing the job he encounters a variety of characters that give him insights into aspects of his own life and force him to re-evaluate who he is and why he’s doing what he’s doing. The central mystery of the story is as much about the private eye investigating his own soul and his meditations/examination of the human condition embodied by the cast of characters he interacts with. Think Robert Altman’s “The Long Goodbye” or “Lady In The Lake”

Will Viharo’s LOVE STORIES ARE TOO VIOLENT FOR ME is firmly in that second kind of story. Viharo’s Vic Valentine very much lives in the past. Not just his past but the past of a world that is now a memory for the majority of Americans who barely remember what happened ten years ago. Vic dresses like he’s a member of Sinatra’s Rat Pack. His taste in movies, fashion, music and style is centered in the pop culture of the 1960s. And he likes it that way. Vic Valentine doesn’t mind being a walking anachronism. He just wishes he wasn’t so lonely in enjoying it. Vic is also a private detective. And to be honest, he’s not all that good at being a private eye. His cases mostly involve gathering evidence on cheating spouses. Once upon a time he had aspirations and ambitions in other, more creative fields. But just as in all other aspects of his life, Vic’s refusal to let go of the past led him to being a 1960s style private eye. And it’s during the labyrinthian pursuit of this particular case that I think Vic truly embraces his destiny and becomes a damn good private eye, worthy to stand next to Sam Spade, Philip Marlowe and Easy Rawlins.

Vic is hired by the alcoholic major league baseball player Tommy Dodge to find Tommy’s wife Rose. She just up and left him one day, leaving only a cryptic note. Tommy wants to know where she is and he wants Vic to find her. Vic really isn’t all that interested in taking the case. First of all, the Christmas season is coming up which depresses Vic to no end and second of all, after just fifteen minutes of talking to Tommy, Vic doesn’t like him much and thinks there’s more to the story than Tommy is telling him.

But of course, there is…what private eye story worth the telling doesn’t have more than what the client is telling? And as Vic follows the slim trail Rose left behind in her wake, he puts together clues that leads him to a revelation about Rose that is absolutely shattering to Vic on both the personal and professional levels and forces him to make some really hard decisions. And this is where LOVE STORIES ARE TOO VIOLENT FOR ME really begins to embrace its Film/Pulp Novel roots as Vic has to navigate the darkest of ambiguous moral and psychological waters to arrive at not only the solution to the mystery of why Rose left Tommy but also to resolve the demons of his past.

I have a list of The Best Writers That You’re Not Reading and Will Viharo is on that list. His ranking is none of your business. All you need to know is that if you haven’t read any of his work, you really should. Will Viharo himself is one of the most fascinating and coolest people I’ve ever met via The Internet. Go ahead and Google him or look him up on Facebook. Just the introduction of this novel where he talks about the dedication Christian Slater has had for years in his attempts in adapting this book into a movie is just the tip of the iceberg when it comes to Will’s history with Hollywood.

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I like his prose a lot. It’s fun to read as he throws in a lot of pop culture references to enhance Vic’s personality. But Will is not afraid to spend a lot of wordage to explore Vic’s emotional life as well. Vic Valentine is a private eye who really has no business being a private eye, if you ask me. He feels too much for the job. But paradoxically, that is the quality that leads him to solving this case and making the decisions he does make to resolve it and his life.

LOVE STORIES ARE TOO VIOLENT FOR ME is the Will Viharo novel I always recommend to people who have never read him before. And if you love Pulp then you should be reading him. Will Viharo knows Pulp like a monkey knows coconuts. I’ve read novels by writers who think they know what Pulp is and think it’s just a a bunch of wacky characters doing a bunch of wacky things. Will Viharo knows the psychology, mood and style of what goes into Pulp. Pulp is something Will Viharo didn’t have to learn. It’s in his DNA. And if you want a solid read this summer, do yourself a favor and check out LOVE STORIES ARE TOO VIOLENT FOR ME.

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